Construction of the nave XIIe siècle (≈ 1250)
Romanesque Nef with door in full hanger
XIVe-XVe siècle
Added false transept
Added false transept XIVe-XVe siècle (≈ 1550)
Two Gothic-style chapels
1779
Repair of the choir
Repair of the choir 1779 (≈ 1779)
Registration on the triumphal arc
27 juin 1984
MH classification
MH classification 27 juin 1984 (≈ 1984)
Registration historical monument
1992
Restoration of the bell tower
Restoration of the bell tower 1992 (≈ 1992)
Financing by Save French Art
1994
Filling chapel south
Filling chapel south 1994 (≈ 1994)
Restaurant financed by association
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 24): Registration by order of 27 June 1984
Key figures
Arcisse de Caumont - Historian and archaeologist
Studyed the tower (XVIe)
Seigneur de Bourgeauville - Patron of the parish
Named the local abbots
Origin and history
The church of Saint-Martin de Bourgeauville, located in Calvados in Normandy, is a religious building whose oldest parts date back to the 12th century. The nave, typical of Romanesque art, keeps a door in the middle of a hanger today closed. This monument illustrates the local architectural evolution, with successive additions reflecting the flamboyant and classic Gothic styles.
In the 14th-15th century, a false transept consisting of two chapels was added to the building. The tower, attributed to the 16th century by Arcisse de Caumont but potentially from the 15th century, remains unfinished. The choir underwent a major renovation in 1779, as evidenced by an inscription on the triumphal arch. These successive transformations bear witness to the liturgical needs and changing financial capacities of the parish.
The church was listed as a historic monument in 1984, recognizing its heritage value. The Savage de l'art français financed restorations in the 1990s, notably for the bell tower (1992) and the emplacement of the southern chapel (1994). The frame and slate arrow, characteristic of Norman architecture, crowns the whole. The appointment of the abbot was traditionally the responsibility of the local lord, emphasizing the persistent feudal ties.
The Latin cross plan, the flamboyant windows of the transept and the sacristy added in the 19th century complete this building representative of Norman religious heritage. Local materials and traditional constructive techniques are widely used, reflecting the resources available in the region over the centuries.
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