Death of Jean-François Chapelle 1693 (≈ 1693)
Funeral liter with coat of arms.
XVIIe siècle
Addition of Baroque furniture
Addition of Baroque furniture XVIIe siècle (≈ 1750)
Master altar and classified statues.
23 mai 1925
Historical monument classification
Historical monument classification 23 mai 1925 (≈ 1925)
Official site registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 23 May 1925
Key figures
Jean-François Chapelle - Marquis de Jumilhac
Arms on the funeral liter.
Origin and history
The church Saint-Pierre-ès-Liens of Jumilhac-le-Grand, located in the Dordogne department in New Aquitaine, is a Catholic building marked by two major periods of construction: the 12th century for its Romanesque elements (Western portail, nave, transept and octagonal bell tower of the Limousin type), and the 14th century for its Gothic choir. Originally conceived in Latin cross with a hemicircular apse and two apsidioles, it was modified in the 14th century by a flat choir with two spans, replacing the original apse. Its bell tower, characteristic of the region, overcomes a dome above the cross of the transept.
Until the French Revolution, the church served as a place of burial for neighbouring chestnuts, testifying to its close link with the local aristocracy. A funerary liter, decorated with the coat of arms of Jean-François Chapelle (Marquis de Jumilhac, who died in 1693), highlights this memorial function. The furniture includes a 17th century baroque high altar, four meters high, as well as statues drowning from the same saints Roch and Antoine. These elements, classified as historical monuments, reflect the artistic and religious evolution of the site.
The interior architecture reveals a three-span nave extended by a choir, while the south transept houses two altarpieces dedicated to the Virgin Mary and Saint Joseph. The north transept, formerly adorned with a altarpiece, now presents a wall entirely painted. A Gothic chapel and a sacristy complete the whole. The Romanesque portal, framed by columns and capitals, is the main entrance. Ranked since May 23, 1925, the church illustrates the transition between Romanesque and Gothic styles in Périgord.
The location of the church, at the southwest entrance of the village and in the immediate vicinity of Jumilhac Castle, reinforces its central role in medieval and modern community life. Its original plan, modified over the centuries, and its rich furniture (statues, retables, funeral liter) make it a valuable testimony to the religious and seigneurial history of the region. Available sources (Wikipedia, Monumentum) confirm its status as communal property and its openness to the public.
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