Construction of church Deuxième moitié du XIXe siècle (≈ 1975)
Period of foundation of the religious building.
1997
Achievements of frescoes
Achievements of frescoes 1997 (≈ 1997)
Philippe Métreau painted the trompe-l'oeil de la nave.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Philippe Métaireau - Artist painter
Author of trompe-l'oeil frescoes (1997).
Origin and history
The church of Saint-Pierre and Notre-Dame-de-l'Assomption de Giens is a Catholic church located in the Var department, on the peninsula of Giens, in the commune of Hyères. Built in the second half of the 19th century, it embodies the Provencal religious architecture of this period, marked by a fusion between tradition and local artistic innovations.
The interior of the building is distinguished by paintings in trompe-l'oeil made in 1997 by Philippe Métaire, covering the entire nave. These works, executed in the wet, create an illusion of space and depth, typical of the ecclesiastical decorative techniques of the twentieth century.
The Sainte-Marie Chapel houses a polychrome fresco depicting emblematic views of the region, such as the Pointe des Médes de Porquerolles and the Badine. These artistic representations highlight the close link between the religious heritage and the surrounding Mediterranean landscape. Outside, the anterior facade houses a polychrome statue of St Peter, accompanied by its traditional attribute, the cock, symbolizing its denial before the cock's song.
The interior frescoes, combined with architectural elements, reflect a desire to marry sacred art and local identity. The church, although recent compared to other historical monuments in the region, is part of a tradition of valorizing Provencal cultural and religious heritage.
The building integrates into the tourist and spiritual landscape of Hyères, a town rich in historical sites. Its architecture and decorations bear witness to contemporary religious artistic practices, while anchoring the building in its territory geographically and culturally marked by the Mediterranean.
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