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Saint-Théodore Church of La Rochebeaucourt à La Rochebeaucourt-et-Argentine en Dordogne

Patrimoine classé
Patrimoine religieux
Art gothique primitif
Dordogne

Saint-Théodore Church of La Rochebeaucourt

    Rue Autour de l'Église
    24340 La Rochebeaucourt-et-Argentine
Église Saint-Théodore de La Rochebeaucourt
Église Saint-Théodore de La Rochebeaucourt
Église Saint-Théodore de La Rochebeaucourt
Église Saint-Théodore de La Rochebeaucourt
Église Saint-Théodore de La Rochebeaucourt
Église Saint-Théodore de La Rochebeaucourt
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1900
2000
1121
Affiliate to Cluny
1215
Clunisian reconstruction
1477
Return of property
1555
College
1923
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

Église de la Rochebeaucourt : classification by decree of 28 November 1923

Key figures

Guillaume d'Auberoche - Bishop of Périgueux Passed the church to Cluny in 1121.
Louis XI - King of France Returned his property in 1477.

Origin and history

The church Saint-Théodore de La Rochebeaucourt, located in the Dordogne department, is a former collegiate church classified as a historical monument since 1923. His history was marked by his attachment to Cluny Abbey in 1121, when Guillaume d'Auberoche, bishop of Périgueux, granted the building and its dependencies to this powerful religious institution. The date of 1215, engraved above the high altar, attests to a major reconstruction in the thirteenth century, according to the plans of the mother abbey.

The church, originally Romanesque, was partially destroyed in the 14th and 15th centuries before its property was restored to it by an edict of Louis XI in 1477. In the 16th century, it became a collegiate church with a provost and 24 canons, as evidenced by its status in 1555. Its architecture combines Romanesque elements, such as the unique nave that was once lit by sill windows, and subsequent additions, such as a rose made up of seven small roses joined over the western gate.

The current structure retains a high square tower to the south and a panelling replacing the old vaults. Its rectangular plan and turbulent history reflect the political and religious transformations of the region, from its clunisian affiliation to its role in local life under the Ancien Régime. Medieval looting and successive reconstructions left traces in its building, now owned by the commune.

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