First written entry 948 (≈ 948)
Act of donation to Cuxa
XIe et XIIe siècles
Construction of Romanesque parts
Construction of Romanesque parts XIe et XIIe siècles (≈ 1250)
Clocher, apse, south wall preserved
1662
Baroque enlargement
Baroque enlargement 1662 (≈ 1662)
Nef perpendicular and portal added
1973
Historical Monument
Historical Monument 1973 (≈ 1973)
Registered by ministerial decree
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. C 87): registration by order of 30 January 1973
Key figures
Information non disponible - No characters cited in the sources
The texts do not mention any specific actors
Origin and history
The church of Saint-André de Catllar, located in the Pyrénées-Orientales, is a religious building whose origins date back to at least the 10th century. Mentioned for the first time in 948 in an act of donation to the monastery of Cuxa, it presents architectural elements of the 11th and 12th centuries, including the bell tower and the apse. These Romanesque and even pre-Roman vestiges testify to its medieval importance in the region.
In the 17th century, the church underwent important transformations: a perpendicular nave was added in 1662, profoundly changing its structure. The Romanesque south wall and its arched portal, adorned with a Greek cross, are preserved, while the bell tower, a square tower built of bias, remains an emblematic element. The apse, raised later, loses its original elements like its cornice and windows.
The 17th century modifications include a new baroque portal, topped by a niche housing a statue of St.Andre, as well as side chapels and a flat bedside. The vault keys and bust-carved consoles recall the craftsmanship of the time. Despite these transformations, the church retains traces of its medieval past, illustrating architectural evolution over centuries.
Classified as a historical monument in 1973, Saint-André Church now belongs to the commune of Catllar. Its mixture of styles, novel and baroque, makes it a rare testimony to the religious and artistic history of Roussillon, between medieval heritage and modern adaptations.
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