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Opera Substation - Paris 9th à Paris 1er dans Paris 9ème

Patrimoine classé
Métropolitain

Opera Substation - Paris 9th

    41 Rue de Caumartin
    75009 Paris 9e Arrondissement
Ownership of a State institution
Sous-station Opéra - Paris 9ème
Sous-station Opéra - Paris 9ème
Sous-station Opéra - Paris 9ème
Sous-station Opéra - Paris 9ème
Sous-station Opéra - Paris 9ème
Crédit photo : Eric - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1900
Inauguration of the Paris metro
1903
Construction of substation
1914
Building elevation
1927
Internal changes
1972
Latest known changes
1992
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Façade sur rue (cad. 09 : 02 AQ 40): inscription by order of 7 April 1992

Key figures

Paul Friesé - Architect Manufacturer of the substation in 1903.

Origin and history

The Opera Substation is a building located at 41 rue de Caumartin, in the 9th arrondissement of Paris. Designed in 1903 by architect Paul Friesé for the Paris Metropolitan Railway Company, it was part of a network of substations designed to convert electric current to power the metro. Its glass façade with iron panels, characteristic of the industrial architecture of the period, makes it a notable example of the technical heritage of Paris.

Originally, the substation housed a engine room equipped with four switches, capable of transforming high voltage AC into low voltage DC for subway trains. These installations have played a key role in the power supply of the network from its inauguration in 1900 to the mid-20th century. The building was raised in 1914, then modified in 1927 and 1972, before being listed for historical monuments in 1992.

Today, the Opera substation no longer has its original function, the traction current being supplied directly in low voltage. The building is occupied by RATP premises, while maintaining its historic status. It reflects the evolution of energy infrastructure related to Paris public transport and the architectural heritage of Paul Friesé, who designed several similar substations in Paris.

The Opera substation is part of a series of protected buildings, alongside the Auteuil, Bastille and Temple substations. These buildings illustrate the strategic importance of electrification of the Paris metro and their integration into the urban landscape. Their preservation allows us to understand the technical and aesthetic challenges posed by the modernization of transport in the early twentieth century.

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