Construction begins 1519 (≈ 1519)
First level built by François de Rivière.
1557
Added a second level
Added a second level 1557 (≈ 1557)
Works relaunched by Jacques Jouvenel des Ursins.
1791
Sale as a national good
Sale as a national good 1791 (≈ 1791)
Becoming a common house after the Revolution.
1856-1859
One-storey elevation
One-storey elevation 1856-1859 (≈ 1858)
Upgraded to town hall and school.
29 août 1977
Historical Monument
Historical Monument 29 août 1977 (≈ 1977)
Protection of facades and roofs.
1985
Opening of the museum
Opening of the museum 1985 (≈ 1985)
Dedicated to local traditions.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs (cad. AB 231): inscription by order of 29 August 1977
Key figures
François de Rivière - Abbé du Thoronet
Initiator of construction in 1519.
Jacques Jouvenel des Ursins - Abbé and stand promoter
Second level commander in 1557.
Origin and history
The Square Tower of Sainte-Maxime is a military building built in the 16th century to protect local fishermen from pirate raids. Initiated in 1519 by François de Rivière, Abbé du Thoronet, his first phase was limited to one level. The materials used — shale, limestone, bricks for frames — and its sober structure (two square floors on the ground floor) reflect pragmatic defensive architecture. The rectangular cannons, facing south and west, bear witness to its original vocation.
In 1557, Abbé Jacques Jouvenel des Ursins re-launched the work as part of a settlement project, adding a second level. The tower, sold as a national property in 1791, became the common house. Between 1856 and 1859, a third floor was added to accommodate the town hall and a school, with dedicated interior arrangements (counsel room, teacher's housing). Its walls, then covered with crepi, will be restored in 1969, again revealing the original stones.
Classified as a Historic Monument in 1977 for its facades and roofs, the tower has been home to the Museum of Local Traditions since 1985. Its evolution illustrates the transition from a defensive work to a civic symbol, marked by successive adaptations: the transformation of the bays into full-angle windows, the suppression of the crepi, or its current cultural vocation. Its history also reflects the changes of Sainte-Maxime, from a fishing village exposed to pirates to a commune structured around its institutions.
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