Erection of the statue 1851 (≈ 1851)
Inaugurated on June 16, 1851 in Aurillac.
30 avril 1946
Registration for Historic Monuments
Registration for Historic Monuments 30 avril 1946 (≈ 1946)
Official protection by ministerial decree.
3e quart XIXe siècle
Construction period
Construction period 3e quart XIXe siècle (≈ 1962)
Artistic context and creative policy.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Statue of Pope Gerbert: inscription by decree of 30 April 1946
Key figures
Gerbert d’Aurillac (Sylvestre II) - Pope and scholar (Xth century)
Character commemorated by the statue.
Pierre Jean David, dit David d’Angers - Sculptor (19th century)
Author of the bronze statue.
Origin and history
The statue of Pope Gerbert, located in Aurillac in the department of Cantal, is a 3.70 metre high bronze work by sculptor David d'Angers. Built in 1851 and inaugurated on June 16 of the same year, it commemorates Gerbert d'Aurillac, a 10th-century scientist who became Pope under the name of Sylvestre II. The monument depicts him in pontifical clothes, in a posture evoking the pulpit. The granite base is decorated with three bas-reliefs illustrating significant episodes of his life: a young pâtre observing the stars, Archbishop Gerbert explaining the operation of a balance clock and a steam organ, and finally the pope on the Sedia Gestatoria.
The statue is installed course Monthyon, a central artery of Aurillac, and was registered as historical monuments by order of 30 April 1946. This monument reflects the city's tribute to one of its most illustrious sons, whose intellectual and religious heritage marked medieval history. The property of the work belongs to the municipality of Aurillac, stressing its local and regional heritage importance.
Gerbert d'Aurillac, born around 946, is famous for his contributions to mathematics, astronomy and church reform. His pontificate, although brief (999-1003), was marked by technological and scientific innovations, as evidenced by the bas-reliefs of the base. The statue, by its iconography and location, also recalls the role of Aurillac as a cultural and religious home in Auvergne during the Middle Ages and in the 19th century, when the glorification of great men was a common practice in French public space.
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