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Stone 16th Century Road Cross à Marsac-en-Livradois dans le Puy-de-Dôme

Puy-de-Dôme

Stone 16th Century Road Cross

    1 Rue Petite Rue
    63940 Marsac-en-Livradois
Croix de chemin du XVIe siècle en pierre
Croix de chemin du XVIe siècle en pierre
Crédit photo : Eanaul - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
XVIe siècle (début)
Construction of the cross
21 mars 1910
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Stone 16th Century Road Cross: by Order of 21 March 1910

Key figures

Information non disponible - No name cited Sources do not mention sponsors or artisans.

Origin and history

The road cross of Marsac-en-Livradois is a stone monument dating from the early 16th century. It is distinguished by its carved representations: Christ in crocifixion on one side, and the Virgin with Child on the other. The ends of the arms are decorated with stylized florets, while the intersections form a rosace, typical of the religious art of that time. Classified as a Historical Monument by decree of 21 March 1910, it bears witness to the artistic heritage and local devotee.

Originally located Place de la Halle (address referenced in the Mérimée base), this cross is now located approximately at the 5 Route de Chadernolles, according to the GPS coordinates available. Its geographical accuracy is considered fair (note 5/10), reflecting uncertainties related to historical sources. Owned by the commune of Marsac-en-Livradois (code Insee 63211, department of Puy-de-Dôme), it illustrates the importance of the road crosses as spiritual and artistic landmarks in the countryside of Auvergne in the Renaissance.

The cross of paths, frequent in rural areas, served as both territorial markers and supports for popular devotion. The one of Marsac-en-Livradois, with its carved motifs (fleurons, rosace), suggests a local command designed to affirm the Christian faith while integrating decorative elements specific to the aesthetics of the first Renaissance. Its early classification (1910) underscores its heritage value, although the archives do not specify the sponsor or the craftsman who made the work.

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