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Tenaille Abbey à Saint-Sigismond-de-Clermont en Charente-Maritime

Patrimoine classé
Patrimoine religieux
Abbaye
Eglise romane
Charente-Maritime

Tenaille Abbey

    Le Bourg
    17240 Saint-Sigismond-de-Clermont
Abbaye de la Tenaille
Abbaye de la Tenaille
Abbaye de la Tenaille
Abbaye de la Tenaille
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1500
1600
1700
1800
1900
2000
Vers 1125
Initial Foundation
1137
Official installation
1542
Moral declination denounced
1582
Destruction by Protestants
1615
Donation to the Jesuits of Saintes
1794
Sale as a national good
Aujourd'hui
Aujourd'hui

Heritage classified

Rest of the Romanesque chapel (cad. A 914): classification by decree of 29 November 1958; Facades and roofs of the 18th century castle and stables (cad. A 914): inscription by decree of 2 December 1958; In total, the abbey of the Tenaille, as well as the ground and basement (cad. A 1011 to 1013): registration by order of 26 July 2019

Key figures

Géraud de Salles - Spiritual Founder Religious of Fontevraud at the origin of the project in 1125.
Guillaume de Conchamp - Founder Abbé Set up twelve monks in 1137 with the support of Gérard de Blaye.
Jacques de Pons - Calvinist Lord Chassed the monks and ran the abbey in 1582.
Jacques II de Catrix - Last Abbé Appointed at 12, fled in 1582, died young.
Duc d’Épernon - Benefactor of the Jesuits Returned to the Church in 1615.
Armand de La Barre - First private owner Aceta the abbey in 1794 and built the present residence.

Origin and history

The abbey of La Tenaille, founded around 1125 by Géraud de Salles and officially established in 1137 by Guillaume de Conchamp, was a Cistercian abbey located in Saintonge, on Via Turonensis, one of the four main paths leading to Saint-Jacques-de-Compostelle. It was home to prestigious relics, including a nail of the Cross of Christ and the plucked-out tenaille, attracting pilgrims and solemn oaths. Its establishment gave rise to tensions with local farmers, compensated by donations of land. In the Middle Ages, she enjoyed the support of regional lords such as Guillaume de Maingot or the families of Pons and d'Archiac.

In the 16th century, the abbey declined due to the dissolution of monastic customs: in 1542, the Parliament of Bordeaux denounced monks "vagabonds and dissolus", armed and plundering the countryside. In 1582 the Calvinist Jacques de Pons chased the last eight monks, ran the buildings and appropriated his income. Father James II of Catrix, who was only 12 years old when he was appointed, fled and died shortly afterwards. The property of the abbey was then confiscated by the Duke of Épernon in 1615, then transferred to the Jesuit College of Saintes, becoming their main source of income until the expulsion of the Jesuits in 1762.

The abbey was sold as a national property in 1794 to Armand de La Barre, who built a house and outbuildings there. In the 19th century, the estate passed to Alexis Martin de Bonsonge, then to his granddaughter, wife of Count Étienne Lunet de Lajonquière. Today, there remains only a classified Romanesque chapel (partly collapsed nave with domes, Romano-Byzantin portal), 18th-century warehouses decorated with agricultural symbols, and a master house with Greek facade. The archives, destroyed in 1793, leave little trace of its history.

The abbey had extensive land and income, including salt marshes, vineyards, and parish cures (Saint-Sigismund, Plassac). His possessions extended to Pons, Nieul-le-Virouil, and Mosnac, along the way to Compostela. By 1701 his land was consolidated for £700. The local legend tells that the monks brought forth the wine of a fountain, deceitful later revealed.

Classified as a historical monument in 1958 for its Romanesque remains and its 18th century castle, the abbey illustrates the evolution of religious establishments in Saintonge, between medieval radiation, decline in the Renaissance, and transformation into an agricultural domain. Its name evokes both its spiritual (relical) role and its anchoring in popular narratives, between history and legend.

External links