Timeline

Heritage classified

Key figures

Origin and history

The Hébertot Theatre, originally called Théâtre des Arts, came into being in 1830 when the newly created municipality of Batignolles-Monceaux requested permission to build a theatre. This project ran counter to the exclusive privilege held by the Sevestre brothers, heirs of Pierre-Jacques Seveste, who had controlled the Parisian suburbs since 1817. Despite challenges, this monopoly limits local initiatives, delaying the production of theatre.

In 1838, a company of traders and owners finally obtained official authorization to erect the "theatre of the Batignolles", designed by the architect Adolphe Azémar. Directed by the Sevestre brothers, the theatre opened its doors but struggled to prosper, even sparking a petition of inhabitants in 1842 against their management. After changes of direction and financial difficulties, including a bankruptcy in 1886, the theatre was taken over in 1907 by Maurice Landay, who renamed it "the Théâtre des Arts".

Under the direction of Jacques Hébertot from 1940, the theatre acquired its present name and a lasting reputation, welcoming major figures such as Gérard Philipe, Maria Casarès or Michel Bouquet. Ranked a historic monument in 1974, it is distinguished by its Italian architecture (630 places) and its key role in Parisian cultural life. Today, it perpetuates eclectic programming, combining classics and contemporary creations.

The building, located at 78 bis boulevard des Batignolles, illustrates the evolution of the Parisian theatres, moving from ball and party venues in the 19th century to a renowned repertoire theatre. Its history also reflects tensions between municipal powers, private privileges and local cultural aspirations. The facade of the theatre was even used as a decor for Roman Polanski's film La Venus à la fur.

Since 2013, the theatre has been run by Francis Lombrail and Stéphane Prouvé, while Petit-Hébertot (110 seats), created in 2003, completes the offer with more intimate shows. The site remains a symbol of Parisian theatre heritage, combining historical heritage and artistic dynamism.

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