Presumed Royal Visit 1660 (≈ 1660)
Louis XIV would have played here.
1756
Construction begins
Construction begins 1756 (≈ 1756)
On the location of a palm game.
1787
Inauguration of the theatre
Inauguration of the theatre 1787 (≈ 1787)
Without initial interior decoration.
1829
City acquisition
City acquisition 1829 (≈ 1829)
Becoming municipal property.
1981
Historical Monument
Historical Monument 1981 (≈ 1981)
Registration of the room and its decor.
2000
Re-opening after renovation
Re-opening after renovation 2000 (≈ 2000)
Two years of completed work.
2009
Acquisition of historical costumes
Acquisition of historical costumes 2009 (≈ 2009)
70 pieces of the 19th century.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The hall with its decor (cad. AE 194): inscription by order of 23 July 1981
Key figures
Marquis de La Barben - Architect and Consul of Aix
Designer of the theatre in 1756.
Louis XIV - King of France
It was played here in 1660.
Dominique Bluzet - Current artistic director
Also runs the Gymnase Theatre.
Origin and history
The Théâtre du Jeu de Paume d'Aix-en-Provence is an emblematic building built from 1756 on the site of an old palm playroom, where Louis XIV would have played in 1660. The architect, the Marquis de La Barben, then consul of the city, designs a modern room despite space constraints (36 meters by 16). The project, which exceeds the original budget, receives municipal financial assistance. Inaugurated in 1787 without interior decoration, the building became property of the city in 1829.
In the 19th century, the theatre underwent progressive interior modifications, evolving towards a more elaborate space. In 1981, its hall and decor were included in the additional inventory of historic monuments. After two years of renovation, he reopened in 2000 with personalities like Fanny Ardant and Jean-Louis Trintignant, under the artistic direction of Dominique Bluzet, who also manages the Théâtre du Gymnase in Marseille.
The Jeu de Paume Theatre is a key venue for the International Festival of Lyric Art in Aix-en-Provence, hosting creations and operas since the 2010s. Among the notable productions are Elena (2013) by Francesco Cavalli, Trauernacht (2014) inspired by Bach, or Kalîla wa Dimna (2016), opera in Arabic and French. In 2009, the municipality acquired 70 19th century costumes related to its history.
The structure, with its 493 squares, embodies the cultural heritage of Aix, combining 18th century architectural heritage and contemporary dynamism. Its association with the GIE Acte allows for joint subscriptions with other regional halls, strengthening its anchor in Provencal artistic life. The Opera Street, where it is located, is a high place of local culture, between theatrical tradition and stage innovations.
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