Crédit photo : Photo: Andreas Praefcke - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1835
Start of the show
Start of the show 1835 (≈ 1835)
Physician-prestidigitator in the Marigny square.
1855
Foundation by Offenbach
Foundation by Offenbach 1855 (≈ 1855)
Opening of the Buffes-Parisiens.
1881
Construction of the panorama
Construction of the panorama 1881 (≈ 1881)
Work by Charles Garnier.
1894
Transformation into theatre
Transformation into theatre 1894 (≈ 1894)
By Edward Niermans.
1925
Modernisation Art Deco
Modernisation Art Deco 1925 (≈ 1925)
Directed by Léon Volterra.
1962
Closure for old age
Closure for old age 1962 (≈ 1962)
Further renovation.
1990
Historical Monument
Historical Monument 1990 (≈ 1990)
Protection of the room.
2013-2018
Closure for work
Closure for work 2013-2018 (≈ 2016)
Structural renovation.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Chamber (Box 08: 01 AF 4) : inscription by order of 25 September 1990
Key figures
Jacques Offenbach - Composer and Director
Founded Les Bouffes-Parisiens in 1855.
Charles Garnier - Architect
Designed the panorama in 1881.
Édouard Niermans - Architect
Transforming the panorama into theatre (1894).
Léon Volterra - Director and Renovator
Modernized the room in 1925.
Jean-Louis Barrault - Comedian and director
Directed the company Renaud-Barrault (1946-1962).
Elvire Popesco - Comedian and Director
Directed the theatre from 1966 to 1978.
Origin and history
The Marigny Theatre came into being in 1835, when a physicist-prestidigitator set up his attractions in the Marigny Square, at the corner of Champs-Élysées and Marigny Avenues. After the Revolution of 1848, a small hall called "Château d'enfer" offers performances of " amusing physics" under the direction of Henri Lacaze and Denizard-Rivail. In 1855, Jacques Offenbach, seduced by the strategic location for the Universal Exhibition, founded the theatre of Les Bouffes-Parisiens, later renamed Buffes d ́été. Upon the expiry of its lease in 1859, the theatre became the Deburau theatre, successively directed by Charles Deburau and Céleste Mogador, before taking the name Folies-Marigny in 1865 under the leadership of the Montrouge couple.
In 1881, the theatre was demolished to give way to a panorama designed by Charles Garnier, architect of the Paris Opera. The latter hosts dioramas like Paris through the ages (1885) of Hoffbauer and Pichat. Turned into a rotunda theatre in 1894 by Édouard Niermans, it was directed by Abel Deval from 1910, then modernized in 1925 by Léon Volterra, who made it an Art Deco room of 1,200 seats. Under his direction, the theatre followed the successful operettas, such as Ciboulette (1926) by Reynaldo Hahn or Madame de Pompadour (1930).
In 1946, Simonne Volterra, Léon's widow, gave way to the company Renaud-Barrault, founded by Jean-Louis Barrault and Madeleine Renaud. The latter assembled classics (Hamlet, Le Misanthrope) and contemporary creations, while setting up a second room, Le Petit-Marigny, in 1954. Closed in 1962 for old age, the theatre reopened in 1966 under the direction of Elvire Popesco, which programmed comedy (La Locomotive) and musicals (A violin on the roof). In 1980, Jean Bodson undertook a major renovation, renamed the second room in tribute to Popesco.
The concession was awarded in 2000 to François Pinault's Artemis holding company, which entrusted the management to Robert Hossein, then to Pierre Lescure in 2008. After a closure for structural works in 2013, the theatre reopens in 2018 under the artistic direction of Jean-Luc Choplin, focused on musical theatre (Peau d'âne, Funny Girl). In 2022, Richard Caillat took over, followed by Michel Lumbroso in 2025. The building, owned by the City of Paris, has been listed as a Historic Monument since 1990 for its hall.
Among the notable events are the death of playwright Ödön von Horváth in 1938, which was struck by a tree branch in front of the theatre, or the preview presentation of the Citroën DS in 1955. The theatre also hosted the show Au théâtre tonight (1966-1988) and several ceremonies of the Molières. Its architecture, marked by successive transformations (Garnier, Niermans, Grimaldi), mixes neo-pumpian heritage with modernity, while its programming reflects the evolution of Parisian tastes, from operatte to contemporary theatre.
Today, the Marigny theatre remains a major place in Parisian cultural life, combining architectural heritage and scenic innovation. Its renovated dome and its two rooms (including the Popesco room) make it a versatile space, between tradition and modernity, in the heart of the Champs-Élysées.
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