Processing of the wheat hall 1861 (≈ 1861)
Added a showroom upstairs.
1906
Expansion by Ferrand
Expansion by Ferrand 1906 (≈ 1906)
Abolition of the hall, Italian hall.
1920-1930
New interior decor
New interior decor 1920-1930 (≈ 1925)
Patterns of garlands and masks added.
2007
Historical monument classification
Historical monument classification 2007 (≈ 2007)
Registration by order of 30 October.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The theatre in full (box BT 69): registration by order of 30 October 2007
Key figures
Hubert-Nicolas Fisbacq - Architect
Designed the theatre in 1861.
Émile Ferrant - Parisian architect
The theatre grew in 1906.
Louis-Ambroise Dubut - Architect (early 1800)
Comes to the old hall.
Origin and history
The Saint-Dizier Municipal Theatre was founded in an old wheat hall, transformed in the early 1800s by architect Louis-Ambroise Dubut. In 1861, a decision was made to improve it: the hall was kept on the ground floor, while a performance hall was added to the first floor. This project is led by architect Fisbach, and the decor, neo-Renaissance style, evokes both the spectacle (lyres) and the initial function of wheat hall (wheat spike).
In 1906, a major extension was carried out by the Parisian architect Ferrand: the hall was abolished, and a large Italian theatre was built on the entire height of the building. The interior decor, modified several times, reflects the stylistic changes: a first decoration in 1906, a second around 1920-1930 (guirland of flowers and masks), and a third after the Second World War. In 2007, the theatre was listed as a historic monument, and a recent renovation restored its 1920s decor, while reducing its capacity.
The building, located in Place Aristide-Briand, illustrates the evolution of urban uses, moving from a commercial place to a cultural space. Its architecture combines industrial heritage (halle aux bleues) and artistic ambition (salle de spectacle), typical of the 19th and early 20th century urban transformations. Today, it remains a symbol of the cultural heritage of Saint-Dizier and the Haute-Marne.
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