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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1885
Archaeological discovery
Archaeological discovery 1885 (≈ 1885)
Search in the Saint-Just district of Lyon.
12 août 1905
Historical Monument
Historical Monument 12 août 1905 (≈ 1905)
Protection of the five preserved mausoleums.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Roman tombs of Trion: classification by order of 12 August 1905
Key figures
Quintus Caluius Turpio - Freed and raged augustal
Defunt honored by the best preserved mausoleum.
Regilus, Chresimus, Murranus, Donatus, Chrestus - Freed from Turpio
Sponsors of the tomb via his will.
Origin and history
The Roman tombs of Trion, discovered in 1885 in the Saint-Just district of Lyon, are part of an ancient necropolis bordering the Roman way between Lugdunum (Lyon) and Aquitaine. This set of ten funeral monuments, dated the second century, illustrates the funeral practices of the local elites. Five mausoleums in large aircraft were preserved and rebuilt in Place Eugène-Wernert, including the triple mausoleum (Julius Severianus, Quintus Valerius, Julia) and those of Satrus and Turpio.
Turpio's mausoleum, the most intact, consists of a square block made of Midi stone (Burdigalian limestone), placed on a podium with canned pilasters and ionic capitals. His dedication reveals that he honored Quintus Cauius Turio, a rich freed man and august (member of a priestly college), whose freemen erected the tomb according to his will. The inscriptions, mixing great archaic capitals and names piled up, suggest early dating, before the Christian era for some parts.
These monuments, classified in 1905, were constructed of Midi stone, a typical Lugdunum material in the first century before being replaced by Seyssel stone. Their alignment along the Roman way highlighted their ostentatious role, marking the social status of the deceased. The site, now accessible near the Choulans climb, offers a rare testimony of Gallo-Roman funeral art in the capital of Gauls.
The dedication of the tomb of Turpio mentions its freedmen (Regulus, Chresimus, etc.), highlighting the networks of dependence and social ascension peculiar to Roman society. The nickname Turpio ("the Shame"), probably linked to its servile past, contrasts with its final status as notable, embodying the paradoxes of social mobility under the Empire.
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