Construction of building 1929 (≈ 1929)
Edited by Joseph Marrast for Dupont Bank
2000
Installation of Transatlantic Bank
Installation of Transatlantic Bank 2000 (≈ 2000)
New occupant of the historic building
17 juillet 2012
Historic Monument Protection
Historic Monument Protection 17 juillet 2012 (≈ 2012)
Ranking of outstanding facades and interiors
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and roofs of all buildings; the two stairs in their entirety; the vault room; the reception hall and the remaining windows; all the interiors of the building on Franklin-Roosevelt Avenue (Box BI 37, see plan annexed to the Order): inscription by order of 17 July 2012
Key figures
Joseph Marrast - Architect
Designer of the building in 1929
Raymond Subes - Iron and steel
Author of grids and ramps
Sylvestre - Sculptor
Mentioned without specific work assigned
Origin and history
The building of the Transatlantic Bank, located at 26 Avenue Franklin-Roosevelt in the 8th arrondissement of Paris, was built in 1929 by architect Joseph Marrast to initially house the Dupont Bank. This iconic building from the 2nd quarter of the 20th century is distinguished by its Art Deco style and noble materials: marbles in common areas, panelling in reception rooms, and marouflage canvases adorning the executive offices. The metal elements, such as the entrance gate, the staircase ramp and the elevator ramp, were made by ironmaker Raymond Subes, a major figure in the art of wrought iron.
Since 2000, the building has been home to the Transatlantic Bank, keeping a large part of its original decor intact, including living room furniture and the safe room. The facades, roofs, stairs, and lobby and windows have been protected under the Historic Monuments since 2012. The building illustrates the alliance between banking functionality and luxurious aesthetics, characteristic of architectural achievements for the Parisian financial elite of the inter-war period.
The interior architecture, marked by wood paintings and neat panelling, reflects the attention to detail of the private orders of this time. The sculptor Sylvestre, although mentioned among the craftsmen, is not associated with a precise work in the available sources. The location of the building, on a prestigious avenue in the 8th arrondissement, reinforces its status as a symbol of Parisian banking and artistic heritage.
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