Crédit photo : Cimetières de France et d’ailleurs - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1920
Coronation of Agnes Souret
Coronation of Agnes Souret 1920 (≈ 1920)
First winner of "Miss France" at the age of 18.
1928
Death of Agnes Souret
Death of Agnes Souret 1928 (≈ 1928)
Burial in the Art Deco tomb.
2006
Registration for Historic Monuments
Registration for Historic Monuments 2006 (≈ 2006)
Official protection of the grave (Decree of 18/09).
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The tomb (Case AS 102): inscription by decree of 18 September 2006
Key figures
Agnès Souret - First Miss France (1920)
Buried in this 26-year-old monument.
Lucien Danglade - Sculptor of the grave
A student of Charles Despiau, author of the school.
Origin and history
The tomb of Agnes Souret, located in the communal cemetery of Espelette (Pyrénées-Atlantiques), is an Art Deco funerary monument erected in the second quarter of the 20th century. She honours the memory of the first winner of the Miss France competition in 1920, who died prematurely in 1928 at the age of 26. This monument, classified as an inventory of Historic Monuments since 2006, is distinguished by its architectural style inspired by ancient edicles, combining pink marble and a decorative stained glass.
The sculptor Lucien Danglade, a student of Charles Despiau, is the author of this work commissioned after the death of Agnes Souret. The tomb, owned by the municipality of Espelette, illustrates the influence of the artistic currents of the 1920s, mixing modernity and classic references. Its inscription in the title of Historic Monuments underlines its heritage value, both for its aesthetics and for its connection to the history of beauty competitions in France.
Espelette, emblematic village of the Basque Country, houses this monument in a cemetery whose location is considered satisfactory a priori (note 7/10). The official address referenced in the Mérimée base (64250 Espelette) confirms its territorial anchor, between local memory and national heritage. No information is available on its current accessibility or possible organised visits.
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