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Villa Art Nouveau à Saint-Romain-de-Colbosc en Seine-Maritime

Seine-Maritime

Villa Art Nouveau

    35 D6015
    76430 Saint-Romain-de-Colbosc

Timeline

Époque contemporaine
2000
XXe siècle
Construction of the villa
23 février 2017
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The master house in full with its garden, fence, pavilion and former laundry, as well as the facades and roofs of the former stable and the floor of the plot on which it is situated, as tinted on the plan annexed to the decree (Box AB 356): inscription by order of 23 February 2017

Key figures

Information non disponible - No character mentioned Sources insufficient to identify key players.

Origin and history

Villa Art Nouveau, located in Saint-Romain-de-Colbosc in the Seine-Maritime, is a remarkable example of early 20th century residential architecture. Classified as a Historical Monument, it embodies the Art Nouveau style, characterized by its curved lines and nature-inspired motifs. The main building, accompanied by its outbuildings (pavillon, former laundry room, stable), and its garden, were protected by decree in 2017 for their heritage value.

The villa is located at 35b avenue du Maréchal-de-Lattre-de-Tassigny, in an urban setting marked by a precise location (noted 8/10 for its reliability). Its inclusion in the inventory of Historic Monuments underlines the importance of its conservation, both for its architecture and for its landscaping. The protected elements include the entire master house, its fence, and the facades and roofs of the adjoining buildings, reflecting a desire to preserve the integrity of the site.

The history of the villa is part of that of the Normandy of the 20th century, a changing region where the rise of bourgeois residences bears witness to the social and economic transformations of the period. These houses, often surrounded by gardens, illustrated the social status of their owners while integrating the architectural and aesthetic innovations of the Art Nouveau movement. Although the sources do not specify the identity of the owners or architects, the 2017 registration attests to its contemporary heritage interest.

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