Construction of the villa 1900 (≈ 1900)
Work by the architect Sautier for Gustav Boeschlin.
9 janvier 1997
Historical monument classification
Historical monument classification 9 janvier 1997 (≈ 1997)
Protection of facades, windows and grille.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
All facades and roofs, including windows; stairwell including ramp; wrought iron gate on street (cad. NZ 24): registration by order of 9 January 1997
Key figures
Gustav Boeschlin - Sponsor
Manufacturer of crowns, original owner.
Sautier A. - Architect
Designer of the villa in Jugendstil style.
Origin and history
The Boeschlin villa, located on 5 American Street in Colmar (High Rhine), is an emblematic example of Art Nouveau architecture, or Jugendstil, characteristic of the early twentieth century. Built in 1900 by the architect Sautier, it is distinguished by a fusion between this style and eclectic influences, including elements reminiscent of Norman villas. The glass windows of the stairwell, typical of the period, as well as the ironwork of the entrance gate and the house, reflect the fullness of the modern style. These decorative details, although varied, remain consistent with the aesthetic expectations of Art Nouveau.
The owner of the villa, Gustav Boeschlin, was a crown manufacturer. The building has been partially transformed over time, its interiors having been divided into apartments to adapt to modern standards. Despite these changes, some original elements, such as the stairwell and its windows, have remained protected since 1997. The wrought iron grid, on the street side, and some exterior wooden elements also testify to the osmosis between the Jugendstil and other architectural influences, creating a unique ensemble in the Colmarian landscape.
Ranked a historic monument by decree of 9 January 1997, the villa Boeschlin sees its facades, roofs, windows, stairwell and fence protected. These elements, representative of the Alsatian Art Nouveau heritage, underline the importance of this style in the region at the turn of the 20th century. Today owned by a private company, the villa remains a major architectural testimony, mixing local industrial heritage and aesthetic audacity.
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