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Villa La Closerie au Touquet-Paris-Plage au Touquet-Paris-Plage dans le Pas-de-Calais

Patrimoine classé
Patrimoine de vilégiature
Villa

Villa La Closerie au Touquet-Paris-Plage

    Avenue des Oyats
    62520 Le Touquet-Paris-Plage
Private property
Crédit photo : JBCousin - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
vers 1925
Construction of the villa
1er décembre 1997
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Façades, roofs and interior decoration of the ground floor and bathroom of the first floor (Box AL 391): inscription by order of 1 December 1997

Key figures

Arsène Bical - Architect Designed the plans of the villa.
Eugène Tiberghien - Pope's owner, vicomte and cashier Owned the villa.

Origin and history

The villa La Closerie, located at 14 avenue des Oyats au Touquet-Paris-Plage in the department of Pas-de-Calais, is an emblematic construction of the first half of the twentieth century. It was built around 1925 by the Entreprise Pentier Frères, according to the plans of the architect Arsène Bical, whose cabinet was established on the streets of Metz and Saint John before 1918. The villa is distinguished by its Y plan and its style combining neo-English influences and Art Deco, reflecting the taste of the era for a revisited aesthetic.

The facades, roofs, as well as the interior decoration of the ground floor and the bathroom on the first floor of the villa have been listed as historical monuments since 1 December 1997. This interior decor, which remains intact, reflects a historical interpretation of the 1920s. The villa belonged to Viscount Eugène Tiberghien, the camerier of the pope, adding an aristocratic and religious dimension to his history.

Built of brick, woodpan, and partially coated, the Villa La Closerie is characterized by a square floor and a gable-finished floor. Its architecture, typical of the style of Arsène Bical, is part of the seaside landscape of the Touquet-Paris-Plage, where the prestigious residences reflected the luxury and architectural innovation of the inter-war period. The villa is today a testimony of this fascist time, where the art of living by the sea attracted an elite in search of modernity and elegance.

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