Certification of the Bréau mill 1603 (≈ 1603)
First mention of the mill fed by the source.
1896
First transformation of the house
First transformation of the house 1896 (≈ 1896)
Work started by Ernest Girard.
1903
Development of the veranda
Development of the veranda 1903 (≈ 1903)
Creation of a billiard room.
1910
Construction of the gallery of paintings
Construction of the gallery of paintings 1910 (≈ 1910)
Adding a glass-lit room.
1912
Completion of major transformations
Completion of major transformations 1912 (≈ 1912)
End of work led by Cottin.
18 mars 2002
Registration for historical monuments
Registration for historical monuments 18 mars 2002 (≈ 2002)
Protection of the villa, garden and gate.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The villa, including its garden and gate (cad. AR 7 to 9): registration by decree of 18 March 2002
Key figures
Ernest Girard - Owner and Editor
Turn the forest house into a villa.
Eugène Cottin - Architect
Directs the work between 1896 and 1912.
Origin and history
The Villa des Fontaines-Dieu, located in Samois-sur-Seine in Île-de-France, originates in a place marked by a source with miraculous properties. This spring once fed the mill of the Bréau, attested as early as 1603. Although a spa project had never been completed, a modest forest house was built there, before being transformed into a luxurious residence between 1896 and 1912 by its owner, the publisher Ernest Girard.
In 1896 Girard undertook the first modifications, followed by a major extension in 1912. The veranda was renovated in 1903 to accommodate a billiard room, while a large hall, called the "painting gallery", was added in 1910, lit by a glass window. The architect Eugène Cottin oversees this work, incorporating decorative elements typical of the period: half-timbers, Gothic lintels and carpentry style '1900'. The villa thus embodies the architecture of the pleasure houses bordering the Seine at the turn of the 20th century.
The villa, including its garden and gate, is listed as historical monuments by order of 18 March 2002. It illustrates the style of the Affolantes, an architectural current popular for secondary residences of the Parisian elite. Its interior decor, particularly neat, and its location on the Franklin-Roosevelt wharf make it a remarkable testimony of this time.
The site also retains a historical dimension linked to its environment: the source of the Fountains-Dieu, although not having given rise to a thermal exploitation, remains a symbolic element of the local heritage. The villa, always privately owned, perpetuates this link between nature, architecture and history.
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