Crédit photo : photo : Fab5669 (d · c · b) bâtiment : Robert Ta - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
2000
1962
Beginning of the creation of the museum
Beginning of the creation of the museum 1962 (≈ 1962)
Robert Tatin moved to La Frenouse.
1967
Communityhood
Communityhood 1967 (≈ 1967)
The site is under communal management.
1969
Inauguration and recognition
Inauguration and recognition 1969 (≈ 1969)
Museum controlled under André Malraux.
1983
Death of Robert Tatin
Death of Robert Tatin 1983 (≈ 1983)
End of work, opening to the public.
2002
Status of Museum of France
Status of Museum of France 2002 (≈ 2002)
Official recognition by the State.
20 décembre 2023
Historical monument classification
Historical monument classification 20 décembre 2023 (≈ 2023)
Total protection of the site and works.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The property complex of the house and of the Robert-et-Lise-Tatin museum, in total, comprising the nineteen monumental sculptures of the Giants' alley, the house of Robert and Lise Tatin, with its garden and fence wall, the museum, including the Rost Hall and the Garden of Meditations, the Dragon Gate and the floor of the alley preceding the entrance of the museum, located at the place known as La Frenouse, on plot No. 27, shown in the cadastre section ZH, as shown on the plan attached to the decree: classification by decree of 20 December 2023
Key figures
Robert Tatin - Artist and creator
Designed the museum between 1962 and 1983.
Lise Tatin - Wife of Robert Tatin
Lived with him in La Frenouse.
André Malraux - Minister of Culture
Recognized the museum in 1969.
Vercingétorix - Historical figure carved
Statue symbolizing childhood and history.
Jeanne d'Arc - Historical figure carved
Statue next to Vercingetorix in the driveway.
André Breton - Surrealist inspiration
Totem dedicated in the Giants alley.
Origin and history
The Robert-Tatin Museum is a "environment of art" designed by artist Robert Tatin between 1962 and 1983 on the site of La Frenouse in Cossé-le-Vivian, Mayenne. Originally, this is an old house that Tatin has set up to live there with his wife, Lise. Over the years, he has transformed the estate into a space decorated with monumental sculptures in coloured cement, inspired by his travels and artistic currents. The site, rich in references to religions, history and great artists, symbolizes a bridge between the civilizations of the East and the West. After Tatin's death, the estate became a museum open to the public, presenting his paintings and hosting exhibitions by contemporary artists.
The museum is structured into several emblematic parts, including the Giants' alley, lined with 19 statues representing historical figures, abstract concepts and famous artists. The House of the Champs, restored and transformed by Tatin, is at the heart of the complex, oriented on an east-west axis to symbolize the link between East and West. The heart of the museum is surrounded by an enclosure decorated with white figures, with an Asian dragon as symbolic guardian of knowledge. The Garden of Meditations, in the shape of a cross, houses sculptures representing the twelve months of the year and a 6.5 metre statue, Notre-Dame-All-Le-Monde, linking sky and earth.
The museum has evolved institutionally: it became communal in 1967 and was recognized as a "controlled museum" in 1969 under the leadership of André Malraux. In 2002, he obtained the status of Musée de France and was classified as a Maison des Illustres. In 2020, it became the property of the Conseil départemental de la Mayenne. The real estate complex, including the sculptures of the Giants' alley, the house, the garden and the museum, was classified as historical monuments by order of 20 December 2023, replacing a previous inscription of 2022.
Tatin's works, such as the totems of the Aisle des Géants, pay homage to various figures, from Vercinetorix and Jeanne d'Arc (symbols of childhood and discovery of history) to modern artists such as Picasso, Gauguin and André Breton. Each sculpture bears a strong symbolism, such as The Virgin of the Epine, representing the universal mother, or the totem of Ubu King, critical of human traverses. The sculpture field, inaugurated in 2003, completes the site with contemporary works offered by artists who have exhibited in the Grange, room dedicated to temporary exhibitions.
Robert Tatin, born in 1902, marked his work on his eclectic journey, mixing life experiences and artistic knowledge. Its 21-year-old museum embodies its quest for perfection and dialogue between cultures. After his death in 1983, the site remained a major place to visit in Mayenne and Pays de la Loire, also attracting the attention of content creators such as the Grenier Player or Tibo InShape, who highlighted it in their videos.
Today, the museum is a unique testimony of naive art and sculptural architecture, where personal history, cultural references and spirituality combine. Its classification as a historical monument and its recognition as Maison des Illustres underscore its heritage importance. Temporary exhibitions and the field of contemporary sculptures perpetuate the vocation of the place: a dialogue between past and present, between tradition and modernity.
Basse saison : du 1er février au 31 mars : tous les jours de 14h à 18h (fermé le mardi)
du 1er avril au 31 mai : tous les jours de 10h à 18h (fermé le mardi)
Moyenne saison : du 1er septembre au 30 septembre : tous les jours de 10h
Haute saison : du 1er juin au 31 août : tous les jours de 10h à 19h
Tarif individuel : Visite du musée et de la maison : 7,50 euros tarif plein et 5,30 euros tarif réduit
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