Timeline

Key figures

Origin and history

The factory of Gien, founded in 1821 by the English industrialist Thomas Edme Hulm (called "Hall"), settled in the former convent of the Minimes of Gien. This factory quickly specializes in the production of fine earthenware, becoming one of the most important in Europe in the 19th century. Its success is based on imitation of old pieces at affordable prices, as well as on original creations inspired by Italian, French or extreme Eastern styles.

Between 1826 and 1862, the company experienced financial difficulties and changed ownership several times. In 1875 it was renamed "Faïencerie de Gien" when it was transformed into a public limited company, under the direction of Jean-Félix Bapterosses, whose descendants would direct it until 1983. The production evolved from utility dishes to luxurious table services, decorative pieces, and even tiles for the Paris metro in 1906.

The peak of earthenware was between 1855 and 1900, during which time she won numerous awards at international exhibitions. After a balance sheet deposit in 1983, activity was resumed in 1984 by Pierre Jeufroy, who re-focuss production on the top of the range. In 2014, Yves de Talhouët took over the company, preserving 150 jobs. Today, the museum attached to the factory exhibits emblematic pieces made between 1820 and 1920.

Gien's decorations are inspired by many influences: Italian Renaissance, Saxon porcelain, Rouen earthenware, or extreme east motifs. Artists such as Jean Bertholle (1950s) and Claire Basler (contemporaneous) have renewed the collections. The most sought after pieces include impressionist barbotines, decorative lamps, and weapons services from large families.

The museum, located within the walls of the earthenware, presents a collection of fine earthenware and creates a 19th century dining room. With 16,525 visitors in 2007, it is one of the major cultural sites of the Loiret. The technique of the encircled enamels, developed around 1870, and innovation in decors marked its industrial and artistic history.

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