Connection to Montsalvy 1087 (≈ 1087)
Church linked to the monastery by the bishop of Rodez.
XIIe siècle
Construction of the Romanesque choir
Construction of the Romanesque choir XIIe siècle (≈ 1250)
Five-sided apse and triumphal arch.
XVe siècle
Gothic additions
Gothic additions XVe siècle (≈ 1550)
Nef and southern side chapels.
1611
Transfer of furniture
Transfer of furniture 1611 (≈ 1611)
Chapel of the demolished castle integrated into the church.
1943
Registration of the village
Registration of the village 1943 (≈ 1943)
Site listed in the General Inventory.
1er juillet 1991
Historical Monument
Historical Monument 1er juillet 1991 (≈ 1991)
Official protection of the building and its decorations.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. I 143): Order of 1 July 1991
Key figures
Sainte-Tarcisse - Legendary hermit
Associated with the origin of the site according to tradition.
Évêque de Rodez (1087) - Religious Authority
Linked the church to Montsalvy.
Origin and history
The church Saint-Michel de Rodelle, also known as Saint-Michel du Causse, is a religious building located in the department of Aveyron, in the Occitan region. Built between the 12th and 15th centuries, it combines Romanesque elements, such as its pentagonal apse choir, and Gothic additions, including a nave with lateral chapels. His medieval frescoes, including a crucifixion surrounded by the two larrons, as well as traces of 14th century paintings, testify to his rich artistic heritage. The building has been protected under the Historic Monuments since 1991, while the village and its hillside have been listed in the Inventory of Sites since 1943.
According to a local legend, a hermit named Sainte-Tarcisse had settled on this site before his attachment, in 1087, to the monastery of Montsalvy by the bishop of Rodez. Until the 18th century, the church remained an annex to that of Maymac. In the 17th century, its furniture enriched with elements from the chapel of a nearby castle, abandoned in 1611. The architecture mixes re-use stones, carved capitals and flamboyant niches, reflecting stylistic evolutions between the Middle Ages and the modern era.
The frescoes of the choir, including a representation of the crucifixion with inscriptions evoking an Arabic graphic, raise questions about their artistic influences, some even evoking a rapprochement with Japanese art. These elements, combined with carved caps and decorated vaults, make the church a remarkable example of the religious heritage of Aveyron, marked by superpositions of styles and a legendary local history.
The 1991 classification covers the entire building, including its late-built western massif and interior decorations. The conservation of the site, combined with that of the village, illustrates the heritage importance of this place, both for its architecture and its role in the religious history of the Rouergue.
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