First entry 1141 (≈ 1141)
Previous building attested in the texts.
1417 et 1447
Village fires
Village fires 1417 et 1447 (≈ 1447)
Destruction of the medieval church.
Fin XVe - Début XVIe siècle
Gothic reconstruction
Gothic reconstruction Fin XVe - Début XVIe siècle (≈ 1625)
Current building in flamboyant style.
1828-1850
Drawings of the Duthoit Brothers
Drawings of the Duthoit Brothers 1828-1850 (≈ 1839)
Archives held at the Picardie Museum.
1914-1918
Damage during the Great War
Damage during the Great War 1914-1918 (≈ 1916)
Restaurant in the inter-war period.
7 février 1920
Historical monument classification
Historical monument classification 7 février 1920 (≈ 1920)
Official State protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 7 February 1920
Key figures
Jean IV d'Hangest - Local Lord
Gissing in armor (15th century).
Frères Duthoit - Architects
Authors of plans kept in Amiens.
Antoine Huot - Local
Funeral monument (XVI century).
Origin and history
The Saint-Martin church of Davenescourt, located in the Somme department near Montdidier, is an emblematic example of the flamboyant Gothic style of the Santerre, comparable to the churches of Harbonnières and Montdidier. Its construction at the end of the 15th century and its reconstruction in the 16th century followed two devastating fires that struck the village in 1417 and 1447, destroying the earlier building mentioned in 1141. The present church, built in chalk, adopts a pseudo-basilical plan with nave to low side, transept non salient and polygonal choir, supplemented by a characteristic bell tower refuge.
In the 19th century, the Duthoit Brothers immortalized the church with drawings preserved at the Picardie Museum in Amiens, testifying to its heritage importance. Damaged during the First World War, it was restored in the inter-war period and classified as a historical monument by order of 7 February 1920. Its interior is home to a rich furniture, including a 15th century gissant of John IV of Hangest, Renaissance baptismal fonts, and decorative elements of the 17th and 18th centuries, all classified as objects.
The exterior is distinguished by a lateral portal decorated with statues and a niche housing a mutilated statue of Christ with links (XVI century). The Louis XIV style choir preserves stalls, a lutrin, and a 1720 pulpit to preach from Roye. The church thus embodies almost nine centuries of religious and architectural history, marked by conflicts, reconstructions and early heritage protection.
Historical sources, such as the works of Robert de Guyencourt (1900-1903) or the studies of Philippe Seydoux (1973), underline his role in the monumental landscape of Picardia. Today, the church remains a place of memory, open to visit, and a symbol of the resilience of the local heritage to the hazards of history.
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