Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

High Cross Cross à Clairavaux dans la Creuse

Creuse

High Cross Cross

    50 Dle Bourg
    23500 Clairavaux
Croix dite Croix grande
Croix dite Croix grande
Crédit photo : Père Igor - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1900
2000
4e quart XIIe siècle - 1er quart XIIIe siècle
Construction of the cross
20 décembre 1920
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Cross called the Grand Cross (Case AE 87): classification by decree of 20 December 1920

Key figures

Information non disponible - No character identified The source text does not mention any historical actors related to this monument.

Origin and history

The Cross known as the Great Cross, located at Clairavaux in the Creuse (New Aquitaine), is a monument dating from the 4th quarter of the 12th century and the 1st quarter of the 13th century. It is distinguished by its octogonal section monolith, topped by a Byzantine cross. Christ is represented there with a crown, stretched arms, and a stiff thorax, clothed in a skirt tight at the waist. His feet are nailed by a single nail. On the reverse, a mutilated Virgin is also carved. This monument, classified by decree of 20 December 1920, belongs to the commune and bears witness to local medieval religious art.

The location of the cross is estimated with a priori satisfactory accuracy (note 6/10). It is located near the address 1 Branches, 23500 Clairavaux, in the department of Creuse, in the New Aquitaine region. The monument, a communal property, is not associated with contemporary uses such as sightseeing, room rental or accommodation. Its state of conservation and its iconography (Christ crowned, Mutilated Virgin) make it a rare example of monumental medieval sculpture in this region.

The classification of the Great Cross as a Historic Monument in 1920 underlines its heritage importance. The Byzantine style of the cross, not common in Limousin, may reflect distant artistic influences or cultural exchanges during this period. The mutilation of the Virgin, mentioned in the sources, suggests damage suffered over the centuries, without their origin (conflicts, iconoclasm, erosion) being specified in the available documents.

External links