Initial construction XVIe siècle (≈ 1650)
Renaissance gallery with low arches.
XVIIe siècle
Added tower
Added tower XVIIe siècle (≈ 1750)
Characteristic corbelling and dome.
XVIIIe siècle
Pavilion of the Lady
Pavilion of the Lady XVIIIe siècle (≈ 1850)
Louis XV style added.
11 octobre 1971
Legal protection
Legal protection 11 octobre 1971 (≈ 1971)
Registration façades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs (Case AI 142, 134): inscription by order of 11 October 1971
Key figures
Information non disponible - No character cited
Sources do not mention any names.
Origin and history
The Mas de la Lauze, located in Uzès in the Gard, is a monument whose oldest architectural elements date back to the 16th century. Its façade, characterized by a low arched gallery surmounted by one or two colonnade galleries, illustrates the influence of the Renaissance. This style, marked by harmonious proportions and decorative motifs inspired by antiquity, reflects the artistic tastes of the period in Languedoc-Roussillon (now Occitanie).
In the 17th century, a tower was added to the Mas de la Lauze, recognizable to its corbelling profile, its dome and its decorative patterns. These architectural elements reflect a stylistic evolution towards classicism, while maintaining traces of local traditions. The tower, probably intended for defensive or prestige functions, marks a period of transformation for the building.
The eighteenth century saw the addition of a Louis XV style pavilion to the southeast of the courtyard, called the Lady's Pavilion. This pavilion, with its elegant lines and rock ornaments, reflects the influence of the French artistic currents of the time. The facades and roofs of the Mas de la Lauze, including these additions, were included in the inventory of Historic Monuments by order of 11 October 1971, thus recognizing their heritage value.
The monument is located at 9004 Chemin de la Lauze, in an area whose location is considered satisfactory a priori (note of 6/10). Although the sources do not specify its current use, its composite architecture bears witness to the stylistic evolutions between Renaissance, classicism and rock in Occitanie. Legal protections specifically concern facades and roofs, highlighting their historical and aesthetic importance.