Origin of the baptismal tank XIIe siècle (≈ 1250)
Socle used for the ordeal.
1662
Construction of calvary
Construction of calvary 1662 (≈ 1662)
Date engraved on the sandstone barrel.
XVIIe siècle (vers 1837)
Post-Revolution Reassembly
Post-Revolution Reassembly XVIIe siècle (vers 1837) (≈ 1750)
Local legend and cadastral plan 1832.
28 septembre 1905
Historical Monument
Historical Monument 28 septembre 1905 (≈ 1905)
Official protection order.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Calvary, on a square of the village (soubassation consisting of a baptismal tank): classification by decree of 28 September 1905
Key figures
Information non disponible - No historical character cited
Sources do not mention any identified actors.
Origin and history
Havernas Calvary is a monumental cross erected in 1662, as indicated by the date engraved on its barrel. Located on Rue de l'Église in the village of Havernas (Somme, Hauts-de-France), it is distinguished by its original base: a 12th century limestone baptismal tank, reused to support the structure. The tank, typical of the region, is surmounted by a rectangular stone slab on which rests the cylindrical sandstone barrel, adorned with lily flowers. The cross itself, of naive design, presents a Christ and a Virgin carved in a popular style characteristic of the time.
According to a local legend, the calvary was dismantled and hidden during the French Revolution in order to escape the destruction, before being reassembled in 1837 to its present location. This hypothesis is supported by his absence on cadastral plans prior to 1832, although the cross appears on the one of 1832. The monument, classified as historical monuments by decree of 28 September 1905, now belongs to the commune. Its iconography and hybrid structure (mixing Romanesque and Baroque elements) make it a rare example of the re-use of medieval liturgical elements in a post-trident context.
The cross, about 3 meters high, illustrates the local craft techniques of the seventeenth century, including the work of sandstone, a material difficult to sculpt. The baptismal fonts that serve as its basis, confined to columnettes, evoke medieval religious practices, while the "naïve" style of sculptures reflects picard folk art. Some historians note similarities between this calvary and the Breton granite crosses of the same period, suggesting artistic exchanges between the regions. Today, the monument remains a historical and spiritual landmark for the village, bearing witness to local piety and know-how throughout the centuries.
Announcements
Please log in to post a review