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Church of Our Lady of the Assumption à Épiais-lès-Louvres dans le Val-d'oise

Val-doise

Church of Our Lady of the Assumption

    10 Rue du Manoir
    95380 Épiais-lès-Louvres
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Eglise Notre-Dame de lAssomption
Crédit photo : P.poschadel - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
milieu du XIVe siècle
First mention of the church
1531
Church dedication
XVe et XVIe siècles
Repises of the bell tower
1845-1850
Construction of the current nave
début du XIXe siècle
State of ruin
8 novembre 1966
Registration of the bell tower
Aujourd'hui
Aujourd'hui

Heritage classified

Clocher (Case A 282): entry by order of 8 November 1966

Origin and history

The Church of Our Lady of the Assumption of the Epistle-Lès-Lover is mentioned for the first time in the middle of the fourteenth century, then located north of its present location. The bell tower, which remained in its original place, exhibits traces of architectural covers in the 15th and 16th centuries, including mouldings with penetration characteristic of these periods. An official dedication was attested in 1531, marking an important milestone in its medieval history.

At the beginning of the 19th century, the building was in ruins, requiring major reconstruction. The current nave was built between 1845 and 1850, while retaining the original entrance under the bell tower. The latter, built of cut stone and covered with slate, contrasts with the nave in stone and flat tiles, reflecting the materials and techniques of each era. It is surmounted by a croup, a typical architectural element.

The bell tower is listed in the Historical Monuments by order of November 8, 1966, recognizing its heritage value. The materials used (sized stone, bellows, slates, tiles) and the superimposed styles (gothic, modern reconstructions) illustrate the evolution of the church over more than six centuries. Today, the monument remains the property of the municipality and retains visible traces of its successive transformations.

External links