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Chapelle Sainte-Élisabeth de Vence dans les Alpes-Maritimes

Patrimoine classé
Patrimoine religieux
Chapelle
Alpes-Maritimes

Chapelle Sainte-Élisabeth de Vence

    Route de Cagnes 
    06140 Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Chapelle Sainte-Élisabeth de Vence
Crédit photo : Jacques MOSSOT - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
13 janvier 1491
Contract of frescoes
4e quart XVe siècle
Construction of the chapel
1924
Discovery of frescoes
24 janvier 1927
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle Sainte-Elisabeth, in the Cayrons district, on the Cagnes road: inscription by decree of 24 January 1927

Key figures

Jacques Canavesi (ou Canavesio) - Painter Author of frescoes in 1491.
Barthélemy Vitalis - Sponsor Clerc benefit from the church of Vence.
Giovanni Canavesio - Painter (supposed brother) Mentioned as possible parent of James.

Origin and history

The Sainte-Élisabeth Chapel is a Catholic chapel in Vence, Alpes-Maritimes, built in the fourth quarter of the 15th century. This small building is distinguished by its simple architecture: a porch in the middle of a hanger, a vaulted nave in a cradle, and a choir with flat bedside. A wooden skeleton separates the porch from the nave. Its interior decoration, inspired by the Renaissance, includes frescoes depicting the Last Judgment (Enfers on the right, Celestial Jerusalem on the left) and the Visitation on the bedside. Some parts were painted in the 18th century.

The frescoes were discovered in 1924, revealing a pictorial cycle commissioned in 1491 by Barthélemy Vitalis, cleric of the church of Vence, to the painter Jacques Canavesi (or Canavesio), probably brother of Giovanni Canavesio. The detailed contract describes scenes like God the Father with the four Doctors, Paradise and Hell, and the seven works of Mercy. The state of conservation is uneven: the right side (Enfers) is degraded, while the left side (Jerusalem Celeste) remains better preserved.

Classified as a historical monument since 24 January 1927, the chapel illustrates the religious art of the late Middle Ages in Provence. Its location, at the crossroads of the old Saint Paul Road and the Cagnes Road, highlights its historic role in local exchanges. The frescoes, though partially altered, offer a rare testimony of the renaissant influences in the region.

Sources also mention a precise location: 23 Chemin Sainte-Élisabeth (or Route de Cagnes), in the Cayrons district. The building, of modest size, reflects the devotional and artistic practices of the period, combining Gothic tradition and Italianist stylistic innovations.

The chapel is part of a network of similar monuments of the Alpes-Maritimes, as evidenced by Paul Roque's work on Nice primitive painters. Its decor, although late retouched, remains a notable example of the transition between the Middle Ages and the Renaissance in Provence.

External links