Contract of frescoes 13 janvier 1491 (≈ 1491)
Order to Jacques Canavesi.
4e quart XVe siècle
Construction of the chapel
Construction of the chapel 4e quart XVe siècle (≈ 1587)
Editing and initial decoration.
1924
Discovery of frescoes
Discovery of frescoes 1924 (≈ 1924)
Rediscovered murals.
24 janvier 1927
Historical Monument
Historical Monument 24 janvier 1927 (≈ 1927)
Official registration by order.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Sainte-Elisabeth, in the Cayrons district, on the Cagnes road: inscription by decree of 24 January 1927
Key figures
Jacques Canavesi (ou Canavesio) - Painter
Author of frescoes in 1491.
Barthélemy Vitalis - Sponsor
Clerc benefit from the church of Vence.
Giovanni Canavesio - Painter (supposed brother)
Mentioned as possible parent of James.
Origin and history
The Sainte-Élisabeth Chapel is a Catholic chapel in Vence, Alpes-Maritimes, built in the fourth quarter of the 15th century. This small building is distinguished by its simple architecture: a porch in the middle of a hanger, a vaulted nave in a cradle, and a choir with flat bedside. A wooden skeleton separates the porch from the nave. Its interior decoration, inspired by the Renaissance, includes frescoes depicting the Last Judgment (Enfers on the right, Celestial Jerusalem on the left) and the Visitation on the bedside. Some parts were painted in the 18th century.
The frescoes were discovered in 1924, revealing a pictorial cycle commissioned in 1491 by Barthélemy Vitalis, cleric of the church of Vence, to the painter Jacques Canavesi (or Canavesio), probably brother of Giovanni Canavesio. The detailed contract describes scenes like God the Father with the four Doctors, Paradise and Hell, and the seven works of Mercy. The state of conservation is uneven: the right side (Enfers) is degraded, while the left side (Jerusalem Celeste) remains better preserved.
Classified as a historical monument since 24 January 1927, the chapel illustrates the religious art of the late Middle Ages in Provence. Its location, at the crossroads of the old Saint Paul Road and the Cagnes Road, highlights its historic role in local exchanges. The frescoes, though partially altered, offer a rare testimony of the renaissant influences in the region.
Sources also mention a precise location: 23 Chemin Sainte-Élisabeth (or Route de Cagnes), in the Cayrons district. The building, of modest size, reflects the devotional and artistic practices of the period, combining Gothic tradition and Italianist stylistic innovations.
The chapel is part of a network of similar monuments of the Alpes-Maritimes, as evidenced by Paul Roque's work on Nice primitive painters. Its decor, although late retouched, remains a notable example of the transition between the Middle Ages and the Renaissance in Provence.
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