Construction of the bell tower fin XVe siècle (≈ 1595)
Corbelling Bell similar to Quettehou.
1743
Creation of the baroque altarpiece
Creation of the baroque altarpiece 1743 (≈ 1743)
Work by Jean Le Comte, artist of Carquebut.
XVIIe siècle
Fortification of the bell tower
Fortification of the bell tower XVIIe siècle (≈ 1750)
Work for the Coast Guard militia.
XVIIIe siècle
Reconstruction nave and choir
Reconstruction nave and choir XVIIIe siècle (≈ 1850)
Expansion and modernization of the church.
25 janvier 1994
Historical monument classification
Historical monument classification 25 janvier 1994 (≈ 1994)
Official MH registration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. A 256): by order of 25 January 1994
Key figures
Edmond Thin - Local historian
Dated the bell tower (late 15th).
Jean Le Comte - Artist sculptor
Author of the Baroque altarpiece (1743).
Charles et François Lorin - Glass Masters
Creators of a glass window (XX century).
Origin and history
The church of Notre-Dame de Morsalines, located in the Manche department in Normandy, is a religious building dating back to the 15th, 17th and 18th centuries. It is distinguished by its bell tower, dated late 15th century according to Edmond Thin, which served as a surveillance post for the 17th century Coast Guard militias. This bell tower, accessible by a removable ladder, illustrates the defensive architecture typical of the fortified churches of the Cotentin, adapted to the risks of coastal invasions.
The nave and choir of the church were rebuilt in the 18th century, marking a phase of expansion and modernization of the building. The church houses graffiti boats engraved on its limestone foothills, testimonies of ex-votos left by local sailors. These elements, combined with its strategic position on the edge of Saint-Vaast Bay, underline its central role in the community and maritime life of Morsalines.
Ranked as historical monuments since 25 January 1994, the church retains remarkable furniture, including an 18th-century Baroque altarpiece (1743) by Jean Le Comte, an 18th-century chasublier, and a statue of Saint Barbe in polychrome stone. These works, along with the baptismal fonts, the pulpit to be preached and the lateral altars, reflect the artistic and religious heritage of the region. A 20th century window, signed Charles and François Lorin, completes this ensemble.
The building, owned by the commune, is part of the landscape of the fortified churches of Cotentin, characteristic of their dual religious and defensive function. Its history is closely linked to that of local communities, marked by maritime activities and geopolitical tensions of the 17th and 18th centuries. Today, it remains a symbol of Norman heritage, open to visit and integrated into the new town of Quettehou.
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