Presumed Foundation Xe siècle (≈ 1050)
Patronage of St. Foy of Agen suggested
1751-1762
Construction of the bell tower
Construction of the bell tower 1751-1762 (≈ 1757)
Built intact until today
1821
Partial reconstruction
Partial reconstruction 1821 (≈ 1821)
Enlargement by Camille Ruphy
1872
Bell tower elevation
Bell tower elevation 1872 (≈ 1872)
Add a bulb arrow (48 m)
1974-1975
Total reconstruction
Total reconstruction 1974-1975 (≈ 1975)
Lagache-Gignoux-Neyrinck project, inauguration in 1975
1986
Installation of organ
Installation of organ 1986 (≈ 1986)
Complete liturgical equipment
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Camille Ruphy - Architect
Author of the 1821 plans
Jean Constant Demaison - Savoyard sculptor
Creator of *The Last Supper*
Origin and history
The Sainte-Foy de La Clusaz Church is a Catholic building located in Haute-Savoie, in the Alpine municipality of the same name. Although its exact foundation remains uncertain, its patronage by St.Foy of Agen – a martyr whose worship spread in the tenth century – suggests an early medieval origin. The parish archives evoke his adoption as patron saint during the dissemination of his miracles, especially in the diocese of Annecy, which would anchor his history in the Savoyard religious context of the year thousand.
The church has undergone several major changes. In 1821, it was partially rebuilt and enlarged according to the plans of the architect Camille Ruphy, while keeping its bell tower erected between 1751 and 1762. The latter, intact, was raised in 1872 by a bulb arrow culminating at 48 meters. A century later, in 1974, the building was completely rebuilt by the Lagache-Gignoux-Neyrinck cabinet, marking a modern architectural rupture. The inauguration took place on 13 July 1975, sealing its present form.
The interior houses notable works, such as La Cène-autel by Savoyard sculptor Jean Constant Demaison. An organ was set up there in 1986, supplementing its artistic heritage. These elements illustrate the fusion between historical heritage and contemporary creations, characteristic of many Alpine religious buildings adapted to modern liturgical needs.
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