Connection to Sauve 1274 (≈ 1274)
Mentioned as dependency of the abbey
Avant le XIIIe siècle
Initial construction
Initial construction Avant le XIIIe siècle (≈ 1350)
Building prior to 1274, linked to the Abbey of Sauve
Fin du XVIIe siècle
Reconstruction and enlargement
Reconstruction and enlargement Fin du XVIIe siècle (≈ 1795)
Becoming seat of a Catholic archpriest
1977
Classification of furniture
Classification of furniture 1977 (≈ 1977)
Objects listed historical monuments
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Faustin de Rome - Holy patron
Dedication of the church with Saint Jovite
Saint Jovite - Holy patron
Church dedication with Faustin
Étienne Louis Advinent - Painter
Author of an 18th century canvas
Origin and history
Saint-Faustin-et-Saint-Jovite de Quissac is a Catholic building located in the centre of the commune of Gard, 30 km west of Nîmes. Dedicated to Faustin of Rome and Saint Jovite, it depends on the diocese of Nîmes and is distinguished by its bell tower of the seventeenth century, surmounted by a pyramidal campanile in wrought iron. Originally, its bell marked the hours before the municipal carillon was installed in the early 20th century. The church keeps a clock dial visible on one of its exterior walls.
The building of the church dates back to a period prior to the 13th century, as evidenced by its attachment to Sauve Abbey in 1274. In a predominantly Protestant region, it suffered degradation during religious wars. At the end of the seventeenth century, it was rebuilt and enlarged to become the seat of an archpriest, thus strengthening the local Catholic presence. The current bell tower dates from this reconstruction.
The church's furniture includes several objects classified as historical monuments in 1977. Among them are statues made of painted wood (XIXth century), a Virgin with the Child polychrome of the seventeenth century, as well as paintings such as The Assumption (XVIIIth century) or a Way of the Cross (XIXth century). A canvas depicting Saint Faustin and Saint Jovite praying, painted by Étienne Louis Advinent in the 18th century, is also preserved there. Other liturgical objects, such as reliquaries or 19th century baptismal fonts, complete this set.
The church illustrates the turbulent religious history of the Gard, between denominational tensions and Catholic reconstruction. Its architecture and furniture reflect the stylistic and cultural evolutions of the 17th to 19th centuries, while anchoring the monument in the local heritage.
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