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Château d'Olonde à Canville-la-Rocque dans la Manche

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Manche

Château d'Olonde

    Le Château d'Olonde
    50580 Canville-la-Rocque
Château dOlonde
Château dOlonde
Château dOlonde
Château dOlonde
Crédit photo : Xfigpower - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIe siècle
Feudal origin
1205
Donation to Richard d'Argences
Début XIIIe siècle
Destruction by Philippe Auguste
Fin XVe - Début XVIe siècle
Reconstruction of the house
1789
General States of Coutances
29 novembre 2000
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The plate of the old castle, including moat and moth; all the castral buildings, namely: the remains of the 12th century castle, the facades and roofs of the 16th and 18th century houses, the western and north towers, in whole, excluding modern commons; the facades and roofs of the common is overlooking the moat, with its latrines (cad. H 5, 6, placed Le Château d'Olonde, 7 to 10, placed Les Buttes) : inscription by order of 29 November 2000

Key figures

Roger de Magneville - First known lord Olonde possessor late 11th century.
Philippe Auguste - King of France Destroyed the castle in 1204.
Richard d'Argences - New Lord in 1205 Receive Olonde by royal charter.
Pierre II d'Harcourt - Baron d'Olonde in 1614 Wedding with Marie de Briroy.
Charles d'Harcourt - Marquis d'Olonde, governor of Rouen Represented the nobility in 1789.
Jules Barbey d'Aurevilly - Writer Inspired by Olonde for *A story without a name*.

Origin and history

The Château d'Olonde, located in Canville-la-Rocque in the English Channel, is a residence whose origins date back to the late 15th or early 16th century, profoundly transformed in the 17th century. It rises on the site of an ancient 11th century medieval castle, destroyed by Philippe Auguste in the early 13th century after the annexation of Normandy. The current remains include circular moat, a feudal motte, and architectural elements from the 12th, 16th and 18th centuries, including two square scald towers and an abandoned house body.

Originally, Olonde's fief was the honour of Mortain and was the possession of the Magneville family in the 11th century. Roger II of Magneville, lord in the 12th century, owed the Duke the service of two and a half knights. In 1205 Philippe Auguste offered the seigneury to Richard d'Argences, then she passed to the Paynel, the Mareuil de Villebois, and finally to the Bouchard d'Aubeterre before being acquired in 1520 by the house of Harcourt, which kept it until the Revolution. The castle was the seat of a medieval chestnut, including the fief of Sotteville.

In the 18th century, the Marquis Charles of Harcourt, governor of Rouen, represented the nobility to the General States of Coutances in 1789. His son, Amédée d'Harcourt, emigrated during the Revolution and served in the English army. The site, partially listed as historical monuments in 2000, includes 12th century remains, 16th and 18th century houses, and outbuildings. An unverified legend evokes the birth of Marie de France in these places, while writers such as Barbey d'Aurevilly and Houellebecq inspired them in their works.

The protected elements include the plate of the medieval castle with its moat and moth, the façades of the house bodies of the sixteenth and eighteenth centuries, as well as the western and northern towers. The estate also preserves traces of an 18th century garden and an adjoining wood. Today, the castle, although partly in ruins, remains a major architectural testimony of Norman history, mixing medieval, Renaissance and classical heritage.

The castle of Olonde illustrates the successive transformations of a Norman seigneury, from feudal origins to its peak under the Harcourts. Its hybrid architecture reflects military and residential adaptations throughout the centuries, while its political and family history makes it a symbol of the changes of the French nobility, from feudality to revolution.

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