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Building à Montauban dans le Tarn-et-Garonne

Tarn-et-Garonne

Building

    11 Place nationale
    82000 Montauban
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1516
Date engraved on a facade
1556
Date engraved on a facade
XVIe siècle
Construction period
6 mars 1917
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Facade and Roofing: by Order of 6 March 1917

Key figures

Pierre Besneville - Architect Master of the National Square.

Origin and history

The building on the Place Nationale in Montauban is part of a remarkable 16th century architectural ensemble. This historic monument is distinguished by its ground floor forming a double vaulted gallery on dogive crosses, while its three upper floors feature alternately rectangular and circular bays. Some houses in this complex bear the engraved dates of 1516 and 1556, attesting to their construction during the Renaissance. The Toulouse architect Pierre Besneville is identified as the masterpiece of this square, whose design is based almost entirely on the use of the brick, with the exception of the arc keys, vaults and window supports, made of another material.

The National Square illustrates the influence of Toulouse architectural models in Montauban, with a regularity of ordinances that reflects the aesthetic canons of the time. The classification of facades and roofs by decree of 6 March 1917 underlines the heritage value of this ensemble, marked by a stylistic unit and an initial urban function probably related to commerce or social life. The vaulted galleries on the ground floor could serve as a covered space for merchants or passers-by, a characteristic common in medieval and renaissant public squares.

The dominant use of brick, an emblematic material of the region, and the presence of dates engraved on the facades testify to a desire to perpetuate the memory of builders and owners. Although the sources do not specify the exact destination of these buildings (housing, shops, or mix), their arrangement around a central square suggests a structural role in the urban planning of Montauban in the 16th century. The architect Pierre Besneville, originally from Toulouse, embodies the artistic exchanges between the two cities, then in full economic and cultural expansion.

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