Origins of the building 2e moitié du XIVe siècle (≈ 1450)
Presumed initial construction of the church.
XVIe siècle
Flamboyant Gothic reconstruction
Flamboyant Gothic reconstruction XVIe siècle (≈ 1650)
Building after the wars of religion.
1652
First major restoration
First major restoration 1652 (≈ 1652)
Post-conflict religious work documented.
1881
Modern restoration
Modern restoration 1881 (≈ 1881)
19th century rehabilitation campaign.
20 septembre 1946
Registration for Historic Monuments
Registration for Historic Monuments 20 septembre 1946 (≈ 1946)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 20 September 1946
Key figures
Comtes de Rethel - Former local lord
Owner of the land where the church is built.
Famille Gonzague - Artistic influence
Solar emblem on the side door.
Origin and history
The Church of Notre-Dame de Brieulles-sur-Bar, located in the Ardennes department (Great East), is a monument built mainly of Authe yellow stone. Its architecture reflects several periods: the second half of the 14th century for its origins, then major reconstructions in the 16th, 17th and 19th centuries. The building is distinguished by a square tower surrounding the entrance, reinforced with foothills, and a portal surmounted by a flamboyant Gothic ogival bay, typical of the sixteenth century. Inside, the capitals are decorated with sculptures of vine leaves and grapes, while a side door, dated from the late 16th or early 17th century, has a sundial and the emblem of the Gonzague.
The current building probably replaced an earlier structure damaged during religious wars. Significant restorations were carried out in 1652 and 1881, before its inscription in historical monuments in 1946. The nave, made up of five spans, three of which with sideways, and the apse with five panels pierced with ogival windows, illustrate the architectural evolution of the place. The church, owned by the commune, is also marked by its history linked to the Counts of Rethel, former lords of the local lands.
A remarkable detail is the brace above the side door, as well as the sundial adorned with the symbol of the Gonzague, a sun, which attests to the artistic and historical influences of the region. Sources also mention bibliographical references, such as the works of Hubert Collin and Octave Guelliot, which document Ardennes' religious heritage.
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