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Church à Damvillers dans la Meuse

Meuse

Church

    3 Rue Carnot
    55150 Damvillers
Eglise
Eglise
Eglise
Eglise
Eglise
Eglise
Crédit photo : Original uploader was F5ZV at fr.wikipedia - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Construction of the tower
XIVe siècle
Construction of the nave
1654
Portal north
1777
Restoration by Leblanc
après 1918
Post-Great War Restoration
9 juin 1921
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 9 June 1921

Key figures

Leblanc - Restaurant restaurant Directed the works in 1777
Mathis - Author of graffiti Signature dated 1737
F. St Rémi - Author of graffiti Signature dated 1709

Origin and history

The church of Damvillers, located in the Meuse department in the Grand Est region, presents a composite architecture reflecting several epochs. Its tower, the oldest part, dates back to the twelfth century, while the nave was erected in the fourteenth century. The northern portal, dated 1654, and the major restorations carried out in 1777 by a certain Leblanc illustrate the additions of the seventeenth and eighteenth centuries. The sacristy was built in the 19th century, completing the whole.

The building bears the stigmas of local history, with graffiti dated on the south side of the tower, such as Mathis (1737) or F. St Rémi (1709). After the destruction of the First World War, the church was restored after-1918, and its western awning would come from the Saint-Roch hermitage. Classified as a Historic Monument in 1921, it now belongs to the commune and reflects the architectural changes and upheavals suffered by Damvillers.

The twelfth century tower, the oldest element, dominates the landscape and recalls the medieval origin of the site. Subsequent modifications, such as the restoration of 1777 or the addition of the portal in 1654, reflect the liturgical and aesthetic needs of modern times. The graffiti carved on its walls offer an overview of popular practices in the 17th and 18th centuries, while the post-Great War works highlight its resilience and its anchoring in collective memory.

External links