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Church of Notre-Dame du Voeu à Cherbourg-Octeville dans la Manche

Patrimoine classé
Patrimoine religieux
Eglise néo-romane
Manche

Church of Notre-Dame du Voeu

    Rue de la Saline
    50130 Cherbourg
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu
Église Notre-Dame du Voeu

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1849
Project launch
1850-1852
Construction façade and nave
1855-1857
Elevation transept and choir
1858
Transept stained glass
1863
Completion of arrows
1934
Glass of the choir
Après 1945
Collateral and strolling stained glass
2006
Total protection
Aujourd'hui
Aujourd'hui

Key figures

Lesauvage - Architect Designed facade and nave (1850-1852).
Geufroy - Architect Author transept, choir and arrows.
Adolphe-Napoléon Didron - Glass painter Transept stained glass (1858).
Antoine Bessac - Glass painter Stained glass of the choir (1934).
Gabriel Loire - Glass painter Post-1945 stained glass (collateral, walk).
Bonet - Sculptor (Rouennais workshop) Author of the entire statuary.

Origin and history

The Church of Notre-Dame du Voeu de Cherbourg was founded in 1849 in a municipal project. The city initially entrusted the design to architect Lesauvage, who realized the facade (without the arrows) and the nave between 1850 and 1852. Replaced in 1851 by architect Geufroy, he supervised the elevation of the transept and choir between 1855 and 1857, while the arrows were completed in 1863. The transept stained glass windows, dedicated to Charity and Hope, were created by the Didron workshop in 1858, marking a major first artistic phase.

After World War II, the church underwent significant restoration and enrichment. The upper stained glass windows of the choir, made by Antoine Bessac in 1934, are complemented by those of the collaterals and the walk-in, works by Gabriel Loire. The statuary, for its part, is entirely entrusted to the Rouennais Bonet workshop. These interventions of the 20th century, especially post-1945, show a desire to preserve and embellish this place of worship, now fully protected since a 2006 decree.

The building illustrates a collaboration between several architects and artisans, whose contributions span more than a century. Lesauvage and Geufroy lay the structural foundations, while the painters-glasses Didron, Bessac and Loire, as well as the sculptor Bonet, brought an artistic and symbolic dimension. This diversity of talents makes Notre-Dame du Voeu a representative example of Norman religious heritage, mixing 19th century heritage and 20th century modernity.

External links