Vienna Congress 1815 (≈ 1815)
Financing of the forts by French compensation.
1819-1834
Construction of forts
Construction of forts 1819-1834 (≈ 1827)
Period of construction of the fortified complex.
1860
Annexation of the Savoy
Annexation of the Savoy 1860 (≈ 1860)
Transfer under French control, planned partial destruction.
1943
Second World War
Second World War 1943 (≈ 1943)
Use as a prison camp.
1967
Military abandonment
Military abandonment 1967 (≈ 1967)
Definitive departure of French troops.
30 décembre 1991
Historical monument classification
Historical monument classification 30 décembre 1991 (≈ 1991)
Official protection of the dread Marie-Thérèse.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Forts de l'Esseillon : Redoute Marie-Thérèse (Box B 17): by order of 30 December 1991
Key figures
William Turner - English Painter
Represented the forts in a watercolour.
William Brockedon - Turner's friend
Author of an inspired engraving of the watercolor.
Napoléon III - Emperor of the French
Ordain the partial destruction of the forts.
Origin and history
The Marie-Thérèse dread is part of the Esseillon barrier, a set of five fortifications built between 1819 and 1834 on the communes of Aussois and Avrieux in Savoy. These forts, financed by the French compensations after the Vienna Congress of 1815, were intended to defend the Kingdom of Sardinia against a possible French invasion. They protected access to the Mont-Cenis pass, a strategic point towards Piedmont.
The Marie-Thérèse dread, located on the left bank of the Arc, is isolated and accessible by the Diable Bridge or the departmental road 1006. It housed houses and artillery stores. Unlike the other forts, it was never destroyed after the annexation of Savoy by France in 1860. It has been a historic monument since December 30, 1991 and now houses a centre for the interpretation of fortified works.
Designed according to Montalembert's model, these forts protected each other by crossfire. Although they never had a fight, they were partially reused during World War II, including as a prisoner camp in 1943. After being abandoned by the army in 1967, voluntary associations began their restoration in the 1970s.
The Marie-Thérèse dread, in the form of horseshoe, is now a tourist and cultural place. It offers exhibitions and a guard corps connected by an underground. Its historical role, linked to the defense of the Sardinian kingdom, makes it a unique architectural testimony of this period.
English painter William Turner represented these fortifications in an 1830s watercolour, illustrating their strategic importance and integration into the mountainous landscape. These works, inspired by engravings of the time, show the forts as key elements of the Savoyard landscape.
Announcements
Please log in to post a review