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Castle of Sassay à Ligré en Indre-et-Loire

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Indre-et-Loire

Castle of Sassay

    Sassay
    37500 Ligré
Crédit photo : Joël Thibault - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
XVIe siècle
Construction of West Pavilion
XVIIe siècle
Expansion of the main building
27 juin 1962
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Fronts and roofs; the escape (cf. B 6, 7, 9): registration by order of 27 June 1962

Key figures

Information non disponible - No names cited in the sources The texts do not mention any characters.

Origin and history

Sassay Castle is a building located in Ligré, in the department of Indre-et-Loire in the Centre-Val de Loire region. Built in the 16th and 17th centuries, it consists of a 17th century main building, marked by a polygonal tower of protruding stairs. An adjacent 16th century pavilion, flanked by corbelled turrets, gives access to the inner courtyard. To the west, a square, unlined pavilion completes the whole, while a 17th century perpendicular wing forms a square return. A 16th century cylindrical dovecote, typical of seigneurial outbuildings, completes this architectural device.

A former fiefdom of Chinon's seigneury, Sassay Castle illustrates the evolution of noble residences between Renaissance and classical times. Its facades and roofs, as well as its dovecote, were partially protected by an inscription to historical monuments on 27 June 1962. The structure thus combines defensive elements inherited from the Middle Ages (towers, dovecote) with more recent aesthetic biases, such as partial symmetry of the 17th century wings.

The layout of buildings, with their irregular alignment and contrasting volumes, suggests separate construction campaigns. The corridor pierced on the ground floor of the west pavilion indicates a desire to control access to the courtyard, while the runaway (columber) recalls the seigneurial right of possession of pigeons, symbol of prestige in modern times. The whole, though reworked, retains a stylistic unit characteristic of the towering houses of this period.

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