Construction of the arch 1691 (≈ 1691)
Edited by d-Aviler on Orbay plans.
1694
Sculpture of bas-reliefs
Sculpture of bas-reliefs 1694 (≈ 1694)
Works by Philippe Bertrand, four medallions.
1715
Commemorative inscription
Commemorative inscription 1715 (≈ 1715)
72 years of reign of Louis XIV.
1954
Historical monument classification
Historical monument classification 1954 (≈ 1954)
Promenade du Peyrou protected.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Augustin-Charles d'Aviler - Architect
Constructed the arch in 1691.
François II d'Orbay - Drafter
Author of initial plans.
Philippe Bertrand - Sculptor
Made the bas-reliefs in 1694.
Louis XIV - King of France
The dedication of the monument.
Origin and history
The triumphal arch of Montpellier was built in 1691 by architect Augustin-Charles d'Aviler, according to the plans of François II d'Orbay. This monument, inspired by the Saint-Martin Gate in Paris, celebrates royal power and served as an entrance to the equestrian statue of Louis XIV. It marks access to Peyrou, an ancient fortified place transformed into an iconic walk.
With a height of 15 meters and a width of 18 meters, the arch was built with more than 120 m3 of stones extracted from the surrounding garrigues (Pignan, Saint-Jean-de-Védas). Four bas-reliefs, carved by Philippe Bertrand in 1694, illustrate themes glorifying the reign: the Canal du Midi, the struggle against heresy, and military victories. A 28-metre stone bridge now replaces the old drawbridge.
The Latin inscription on the arch commemorates the 72 years of reign of Louis XIV (1643–15), evoking the peace recovered after decades of war. Among the medallions, one represents the revocation of the edict of Nantes (1685), a controversial act that marked local and national religious history. The ensemble, classified as a historical monument in 1954 with the Peyrou Promenade, embodies classical architecture in the service of royal power.
Ordered by the province of Languedoc, the arch cost the city 11,850 pounds. Its location, at 52 meters altitude, made it a strategic point of the "common fence", former urban enclosure. Materials and style reflect local resources and Parisian influence, while serving as propaganda for the absolute monarch.