Initial construction XIIe siècle (≈ 1250)
Progressive edification of the Romanesque church.
XVe siècle
Renovation of the apse
Renovation of the apse XVe siècle (≈ 1550)
Reshaping the choir and apse.
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
First list of protected monuments.
Fin du XIXe siècle
Restoration of the bell tower
Restoration of the bell tower Fin du XIXe siècle (≈ 1995)
Reconstruction of the upper parts of the bell tower.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Information non disponible - No character cited
The source text does not mention any specific historical actors related to this monument.
Origin and history
The church Notre-Dame-de-l'Assumption de Fenioux, built in the 12th century in a Saintongese Romanesque style, rises on older remains. Its construction spanned the entire century: the nave and the small side door (beginning of the twelfth) preceded the facade (second half) and the bell tower (last quarter). The apse, redesigned in the 15th century, and the upper parts of the bell tower, rebuilt in the 19th century, testify to a continuous architectural evolution.
The monument is distinguished by its absence of transept and its unique nave with four spans, once occupied by a stand until the 19th century. The western portal, a sculptural masterpiece, is decorated with sixteen columns that frame five finely-worked buildings. The latter have a rich iconographic program: zodiac, Christ surrounded by wise and crazy virgins, paschal lamb with angels, allegories of vices and virtues, and plant motifs.
Ranked a historic monument in 1840, the church illustrates the climax of Saintongeese Romanesque art. Its two-storey, square bell tower, topped by openwork lanterns and an arrow, was restored at the end of the 19th century. The side walls, mixing stone and stone, keep a small north door from the beginning of the twelfth, flanked by three columns with vegetal voussures, highlighting the mastery of the Romanesque artisans.
The façade, entirely dedicated to the portal, concentrates an exceptional decoration where each column extends into carved arches. This harmony between structure and ornamentation, typical of Saintonge's novel, earned the building the nickname of 'the pearl of Saintonge'. Its early ranking among historical monuments underlines its heritage importance since the 19th century.
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