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Villa Mendichka à Urrugne dans les Pyrénées-Atlantiques

Pyrénées-Atlantiques

Villa Mendichka

    380 Chemin de Goyetchea
    64122 Urrugne

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1911
Initial construction
1927
Enlargement
29 novembre 1993
MH classification
Aujourd'hui
Aujourd'hui

Heritage classified

The villa in its entirety, with its garden, entrance gates and concierge (cad. K 20, 633, 632): inscription by decree of 29 November 1993

Key figures

Henri Godbarge - Architect Designer and enlarger of the villa.
Roland-Gosselin - First sponsor Initial owner of the villa.
Famille Méndez - Second sponsor Venezuelan owner after 1927.
Raymond Virac - Painter Author of marouflé canvases.
Frères Mauméjean - Glass painters Creators of interior windows.

Origin and history

The Mendichka villa, located in Urrugne in the Pyrénées-Atlantiques, is an emblematic construction of the neobasque style, erected in 1911 by architect Henri Godbarge. Originally commissioned for the Roland-Gosselin family, it is inspired by traditional ploughhouses, with elements such as wood panels, prominent wall heads and overflowing roofs. Its monumental Art Deco-style porch and square tower with a pavilion roof make it a unique example of a fusion between Basque vernacular and architectural modernity.

In 1927, the villa was enlarged by the same architect for the Méndez family, originally from Venezuela. The modifications include the addition of a porch topped by a veranda and the doubling of a terrace. Inside, the large central hall, rising on two floors, combines the functions of entrance, main living room and distribution, adorned with canvases painted by the painter Raymond Virac and glass windows made by the workshop of the Mauméjean brothers. These decorative elements combine traditional Basque motifs and Art Deco touches.

Classified as a historic monument in 1993, the Villa Mendichka also includes its garden, entrance gates and concierge in protection. Its architecture reflects the commitment of Henri Godbarge, the theorist of the neo-Basque movement, to reinterpret local heritage while integrating stylistic innovations. The precision of details, such as carved balconies or adorned columns, underscores the importance attached to aesthetics and craftsmanship in this realization.

The villa also illustrates the cultural exchanges of the time, with international sponsors (Méndez family) and local artisans (Mauméjean, Virac). Its inscription in the title of historical monuments bears witness to its heritage value, both for its architecture and for its interior decoration, which make it a privileged witness to the evolution of styles at the beginning of the twentieth century in the Basque Country.

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