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Portail du Prieuré Saint-Lô in Rouen en Seine-Maritime

Patrimoine classé
Patrimoine religieux
Prieuré
Seine-Maritime

Portail du Prieuré Saint-Lô in Rouen

    Rue Saint-Lô
    76000 Rouen
Ownership of the municipality
Portail du Prieuré Saint-Lô à Rouen
Portail du Prieuré Saint-Lô à Rouen
Portail du Prieuré Saint-Lô à Rouen
Crédit photo : Giogo - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
900
1000
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
913
Assignment to Costs
1143/1144
Foundation of the Priory
1316
Fire by lightning
1455
Gothic Consecration
1562
Huguenot wake
1791
Abolition of the Priory
13 juillet 1926
Historical classification
Aujourd'hui
Aujourd'hui

Heritage classified

Portal: registration by order of 13 July 1926

Key figures

Rollon - Duke of Normandy Cedes the church in Coutances in 913.
Algare - Bishop of Coutances Founded the priory in 1143/1144.
Guillaume d’Estouteville - Archbishop-cardinal Consecrate the church rebuilt in 1455.
Guillaume Le Bourg - Prior of Saint-Lô Launch the reconstruction in 1346.
Jean Ier Restout - Rouenese painter He was buried in the church in 1702.
Henri III - King of France Installs the Chamber of Accounts (1580).

Origin and history

The Priory Saint-Lô, founded in the heart of Rouen on the remains of Gallo-Roman baths, was first a church dedicated to the Saint-Sauveur and the Trinity. Ceded in 913 by Rollon to the Canons of Coutances, it temporarily became the Cathedral of Saint-Lô (until 1050) after having welcomed there the relics of Saint Lô and Saint Romphaire during the Norman invasions. In 1143/1144 Algare, bishop of Coutances, made him a priory of regular canons. The church, divided between priories and parishioners, experienced major conflicts and reconstructions, notably after a fire in 1316 and the damage to the siege of 1418-1419.

In the 15th century, the church was completely rebuilt and consecrated in 1455 by Archbishop William d'Estouteville, before being looted by the Huguenots in 1562. The priory, reformed in 1639 to accommodate the Genovéfains, was abolished in 1791 during the Revolution. Transformed into a prison, then into a saltpeter factory, the church collapsed in 1798. The site will later house a normal school (1829) before becoming the Camille-Saint-Saëns High School. Today, only the Gothic gate remains, classified as a historic monument in 1926, a silent witness to this turbulent past.

The portal, a remarkable architectural element, embodies the successive transformations of the site: Gallo-Roman foundations, medieval reconstructions, and revolutionary destructions. Its gothic style reflects the prosperity of the priory in the 15th century, a period full of charm under the impetus of Guillaume d'Estouteville. Archaeological excavations (1966, 1991-1993) confirmed the ancient occupation of the site, revealing Roman baths under medieval foundations. The leopard and the lily flowers of the priory's weapons, symbols of ecclesiastical and royal power, recall its importance in the Normandy ducale then French.

Among the notable events, the priory will house in 1580 the first Chamber of Accounts of Normandy, established by Henry III. The conflicts between religious and parishioners (separation wall in 1344), the reconstructions after disasters (fouling in 1316, siege of 1418), and the secular post-revolutionary uses (prison, factory) illustrate its central role in the life of the Wheels. The burials of personalities, such as the painter John I Restout (1702) or Bishop Gilbert de Rouen († before 990), highlight his anchor in local history.

Today integrated into Camille-Saint-Saëns High School, the portal is the last visible vestige of a monumental ensemble that has disappeared. Its ranking in 1926 allowed its preservation, offering a rare example of medieval religious architecture in Rouen. Historical sources, including the works of François Farin (1731) and modern excavations, document his evolution, from Roman times to the Revolution, through his Gothic golden age.

External links