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Villa Trapenard à Sceaux dans les Hauts-de-Seine

Villa Trapenard

    5 Avenue le Notre
    92330 Sceaux
Private property
Villa Trapenard
Villa Trapenard
Villa Trapenard
Villa Trapenard
Villa Trapenard
Crédit photo : Lionel Allorge - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1932
Construction of the villa
23 mars 2024
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The villa Trapenard, in full, with its plot (without the pool and garage) and the fence on the street, located 5 avenue Le Nôtre, on the plot No. 14, shown in the cadastre section AD : classification by decree of 23 March 2024

Key figures

Robert Mallet-Stevens - Architect Designer of the Trapenard villa.

Origin and history

The villa Trapenard, located 5 avenue Le-Nôtre in Sceaux (Hautes-de-Seine), was designed in 1932 by architect Robert Mallet-Stevens, a major figure in the modernist movement. This one-storey cubic building illustrates the principles of modern architecture: stilts supporting the living room, ground floor ejected for services, and false door creating a space for the garage. Its spatial organization reflects a clear separation between the service areas (kitchen, laundry) on the ground floor and the living areas (lounges, rooms) on the first floor.

Classified as a Historical Monument by order of 23 March 2024, the villa is protected in its entirety, including its plot and its fence on street (except the swimming pool and garage). Its innovative design, marked by geometric volumes and an absence of ornamentation, is part of the course of the École de Paris of the 1930s. Mallet-Stevens applies bold technical solutions, such as stilts, that release the ground and create an impression of lightness.

The location of the villa in Sceaux, in the Hauts-de-Seine, is part of an urban context that is changing during the inter-war period, when the aristocracy and the Parisian bourgeoisie built secondary residences combining modern comfort and proximity with the capital. This monument thus reflects the social and architectural evolutions of Île-de-France in the 20th century, where functionalism responds to new ways of life.

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