Classification of the synagogue 1992 (≈ 1992)
Former synagogue classified as a historical monument.
1999
Renovation and opening of the museum
Renovation and opening of the museum 1999 (≈ 1999)
Renaissance building transformed into a museum.
2004
Start of formal acquisitions
Start of formal acquisitions 2004 (≈ 2004)
Commission d'acquisition active since that date.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
François Lotz - Donor
Notary who offered glass paintings.
Dr Kieffer - Donor
Contributor to museum collections.
Origin and history
The Pfaffenhoffen Popular Image Museum is housed in a boldly renovated Renaissance building in 1999, located in the Bas-Rhin department of Alsace. It presents a unique collection of popular Alsatian images, including glass paintings, canivets, eglomized, as well as memories related to baptisms, weddings, conscriptions and funeral texts. These works illustrate daily life and local traditions before the era of photomechanical reproduction.
The museum's collections come mainly from the donation of notary François Lotz and Dr Kieffer, enriched by private donations and acquisitions since 2004. The museum is labeled "Musée de France" and is part of the museum network of the Vosges du Nord Regional Natural Park. It plays a key role in preserving and valuing an artistic heritage specific to Alsace, to which the inhabitants remain very attached.
The building also houses an old synagogue that has been listed as a historical monument since 1992, accessible to visitors. Originally a 16th century brewery (former Moritz brewery), this Renaissance house is one of the oldest in the village. Its renovation has created a modern museum space while maintaining the historic character of the site.
The museum also exhibits various objects such as ex-libris, wine labels, decorated diplomas, greeting cards or images related to Christmas and New Year. These elements testify to the diversity of artistic expressions popular in Alsace, mixing religious, secular and festive dimensions. The institution highlights a visual heritage that is often unknown, but deeply rooted in regional identity.
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