Crédit photo : Véronique PAGNIER - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
…
1700
1800
1900
2000
1363
Initial construction
Initial construction 1363 (≈ 1363)
First salt storage building.
1758
Reconstruction by Jean-Ange Brun
Reconstruction by Jean-Ange Brun 1758 (≈ 1758)
Last major architectural overhaul.
1790
Abolition of the bottle
Abolition of the bottle 1790 (≈ 1790)
End of salt tax.
1945
Definitive removal of the gabelle
Definitive removal of the gabelle 1945 (≈ 1945)
Legal tax exemption.
1984
Historical monument classification
Historical monument classification 1984 (≈ 1984)
Official protection of the building.
1989
Restoration by Wilmotte
Restoration by Wilmotte 1989 (≈ 1989)
Award-winning rehabilitation *Europa Nostra*.
2018
Resumed by the EDIS Fund
Resumed by the EDIS Fund 2018 (≈ 2018)
New cultural vocation under *Ardenome*.
2021
Return to historical name
Return to historical name 2021 (≈ 2021)
Renamed "Grenier à sel".
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Salt Grenier (former) (Case DN 310): Order of 16 November 1984
Key figures
Jean-Ange Brun - Architect
Directed the reconstruction of 1758.
Jean-Michel Wilmotte - Architect and designer
Rehabilitated the monument in 1989.
Régis Roquette - Philanthropist, founder of EDIS
Current financial support of the site.
Origin and history
The Avignon salt Grenier, built in the 14th century, was a building dedicated to the storage of salt, a strategic commodity under the Ancien Régime. Located near the Palace of the Popes and the ramparts, it symbolized the royal monopoly on gabelle, a salt tax abolished in 1790 but definitively abolished in 1945. Its architecture and position vis-à-vis the Rhône reflected the economic importance of salt to the city, a major source of income until the 19th century.
The monument underwent several transformations, including a major reconstruction in 1758 under the direction of architect Jean-Ange Brun, known for the Chapel of the Oratory of Avignon. After the Revolution, it was sold as a national property before being classified as a historical monument in 1984. The architect Jean-Michel Wilmotte rehabilitated him in 1989, obtaining the Prix Europa Nostra for this exemplary restoration, combining respect for heritage and modernity.
Since 2018, the Salt Grenier, renamed Ardenome and then regaining its historic name in 2021, is a free cultural place dedicated to visual arts, living arts, and innovation. Weared by the EDIS Endowment Fund, it offers exhibitions, performances and residences, combining art, science and technology. Integrated with the Avignon Festival, it also hosts private events, perpetuating its central role in local cultural life.
Its history illustrates the transition from a utility building – linked to royal taxation – to a contemporary space open to the public. The gabelle, once taken here, recalls the economic stakes of salt, while its reconversion celebrates the encounter between heritage and creation. The salt Grenier thus embodies Avignon's memory, between medieval heritage and current dynamism.
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