Construction of the wing in the backyard 1579 (≈ 1579)
Date engraved on the main wing.
1855
Donation to the city of Laon
Donation to the city of Laon 1855 (≈ 1855)
The hotel becomes communal property.
1860-1861
Transformation into a museum and library
Transformation into a museum and library 1860-1861 (≈ 1861)
Works led by Léon Gagnon.
22 juillet 1927
Registration for Historic Monuments
Registration for Historic Monuments 22 juillet 1927 (≈ 1927)
Protection of the façade XVIe.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
16th century facade, on court: inscription by decree of 22 July 1927
Key figures
Léon Gagnon - Architect
Directs the work of 1860-1861.
Origin and history
The former Laon Municipal Library is originally a private hotel built in the 4th quarter of the 16th century, as evidenced by the date of 1579 engraved on the wing in the back of the courtyard. The building combines a large limestone work (medium apparatus) and a brick staircase, typical of the buildings of the period. This building reflects the easy civil architecture of the Renaissance, with noble materials and a spatial organization characteristic of the urban dwellings of this period.
In 1855, the hotel was transferred to the city of Laon, which undertook a major transformation between 1860 and 1861 under the direction of architect Léon Gagnon. The façade on the street is rebuilt, the interior distribution is redesigned, and a 17th century staircase (from another place in Laon) is mounted in the courtyard. A well with its 17th century grid is also preserved. These changes are intended to adapt the building to its new functions: museum, library and savings bank, illustrating the evolution of heritage usage in the 19th century.
The building has been partially protected since 1927, with an inscription under the title of Historical Monuments for its 16th century facade on courtyard. The accuracy of its location is considered fair (note 5/10), and the site remains today the property of the municipality. Its history thus combines Renaissance heritage, Haussmannian adaptations and cultural vocation, typical of the Second Empire's heritage conversions.
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