Creation of the Silk Condition 1808 (≈ 1808)
Official decree establishing its economic role.
1821
Construction
Construction 1821 (≈ 1821)
By Jean-Michel Dalgabio for the Stock Exchange and Condition.
1856-1875
Restoration by Etienne Boisson
Restoration by Etienne Boisson 1856-1875 (≈ 1866)
Partial reconstruction after degradation.
1892
Upgrading of one floor
Upgrading of one floor 1892 (≈ 1892)
By Léon Lamaizière, roof redesign.
1923
Adding fountains
Adding fountains 1923 (≈ 1923)
Urban development by the City.
1993
Relocation of the Chamber of Commerce
Relocation of the Chamber of Commerce 1993 (≈ 1993)
Installation of the Bar Association.
2002
Registration for historical monuments
Registration for historical monuments 2002 (≈ 2002)
Protection of facades, gardens and honor room.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The facades and roofs, as well as the two adjoining gardens and the two fountains, the hall of honor (Box PW 105): inscription by order of 29 May 2002
Key figures
Jean-Michel Dalgabio - Architect
Initial builder of the building (1821).
Etienne Boisson - Architect
Restoration between 1856 and 1875.
Léon Lamaizière - Architect
Upgrading in 1892 and garden barrier.
Albert Maignan - Painter
Author of the allegorical ceiling (honor room).
Emile Noirot - Regional painter
Decoration of medallions (industrial landscapes).
Charles Beauverie - Regional painter
Collaboration with woodwork in the honor room.
Origin and history
The former Chamber of Commerce of Saint-Étienne, known as Maison des avocats, was built in 1821 by architect Jean-Michel Dalgabio to house the Chamber of Commerce and Industry as well as the Condition of Silks, an institution responsible for controlling the quality of silk yarns. Originally located Place du Peuple, the Condition of the Silks settles in this building, while the Stock Exchange occupies the ground floor. This project, validated by the Civil Buildings Council in 1819, reflects the economic importance of Saint-Étienne, then in full industrial development.
Between 1856 and 1875, architect Etienne Boisson undertook a major restoration, partially demolishing the building before rebuilding it, due to its degraded state. In 1892, Léon Lamaizière enhanced the one-storey building and rebuilt the roofs, thus modernizing its structure. The honour room, the symbolic heart of the place, is decorated with an allegorical painting on the ceiling by Albert Maignan (representing Mine, Metallurgy, Armoury and Rubanry) and carpets of Gobelins inspired by his drawings, illustrating the region's flagship activities: coal, silk, iron and glass. Local painters Emile Noirot and Charles Beauverie complete the decoration with landscape medallions.
The building, partially listed as a historical monument in 2002 (facades, roofs, gardens, fountains and honorary hall), embodies the Third Republic style and tensions between the City and the Chamber of Commerce, especially around the adjoining gardens, considered as inalienable public squares. In 1993, the Chamber of Commerce left the premises to settle in the former Manufacture d'Armes (Manufrance), leaving room for the Bar Association, which was the current occupant. The fountains added in 1923 and the renovations of 2004 complete its evolution.
The Condition of Silks, created by decree in 1808 and originally linked to the Chamber of Commerce of Lyon, plays a key role in the Stéphanois textile trade. Its installation in this building in 1821, alongside the stock exchange, highlights the link between industry and economic regulation. The Condition's revenues, detached from the municipal budget from 1861 onwards, partially financed the Chamber of Commerce, illustrating its economic weight. The relocation of the Condition in 1910 preceded that of the Chamber of Commerce, marking the end of its initial use.
The architecture of the building, in classic style, is distinguished by its seven-spaned, symmetrical facade, arcades on the ground floor and its mixed cover (trails and windows). The hall, rebuilt in the 1950s by architect Martin, incorporates a central staircase originally designed for zenith lighting, now masked by a false ceiling. The gardens, surrounded by an open gate ordered in 1898, remain a matter of discord until they are ranked with the monument. The busts of the presidents of the chamber, once exhibited in the hall of honour, are now preserved at the Museum of Art and Industry of Saint Stephen.
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