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Former Saint-Ouën church of Saint-Ouën-des-Vallons en Mayenne

Former Saint-Ouën church of Saint-Ouën-des-Vallons

    4 Rue de l'Église
    53150 Saint-Ouën-des-Vallons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
18 mars 1444
Episcopal decree of reduction
1686
Gift of an altar
1722
Interior renovation
XIXe siècle
Construction of new church
Aujourd'hui
Aujourd'hui

Key figures

Ouen de Rouen - Holy patron Dedication of the church, celebrates August 24th.
Alphonse-Victor Angot - Local historian Studyed the damage of the English wars.
Julien Bouessay - Giver of an altar Priest and bachelor of Sorbonne in 1686.
Guillaume-François d'Ozouville - Historical observer Described the macabre dance, buried there.
Curé Leroy - Sponsor of renovations Made pulpit and woodwork in 1722.

Origin and history

The former Saint-Ouën church of Saint-Ouën-des-Vallons, in Mayenne, is dedicated to Ouen de Rouen, whose feast is celebrated on August 24. This building, probably damaged during the English wars, was reduced in size by an episcopal decree dated 18 March 1444. This decree, given to Mayenne, allowed a reduction in its length and width to adapt to a new structure. The small church had a rectangular vessel with a north side, and traces of murals, including a macabre dance observed by Guillaume-François d'Ozouville.

The walls partially preserved in the present cemetery had tombstones, including the tomb of the seigneuries of the Roche-Pichemer. Two altars, one dated 1686 and offered by Julien Bouessay, were transferred to the new church in the 19th century. The former building also housed woodwork and a pulpit made in 1722 under the impulse of the parish priest Leroy. The Confrérie du Mont-Carmel, which had been active since 1687, recruited partners from nearby parishes.

Guillaume-François d'Ozouville, whose grave lies in the ruins of the church, is a figure associated with this place. The building was gradually replaced by a new church in the 19th century, marking the end of its cultural use. The remains, such as painted walls and tombstones, bear witness to its medieval history and its role in the local community.

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